Description

Book Synopsis

Presents a clear and comprehensive introduction to the evolving discipline of global art studies

This volume examines how art historians, critics, and artists revisit art from ancient times through to the early modern period as well as the ways in which contemporary objects are approached through the lens of global contact, exchange, networks, and trade routes. It assists students who actively seek to understand global art history and the discipline beyond the founding Western canons.

The first section of Art History in a Global Context: Methods, Themes and Approaches explores how themes related to globalization are framing the creation, circulation, reception, and study of art today. The second section examines how curators, scholars, artists, and critics have challenged the Eurocentric canon through works of art, writings, exhibitions, biennials, large-scale conferences, and the formation of global networks. The third section is designed to help student

Table of Contents

Notes on Contributors vii

Acknowledgments ix

Introduction 1

Part I Themes in Global Art History 11

1 A Porous Iron Curtain: Artistic Contacts and Exchanges across the Eastern European Bloc during the Cold War (1960–1980) 13
Cristian Nae

2 Environments and Sustainability 27
Ann Albritton

3 Gender, Race, and Feminism: Specificity in a Global Context: The Case of Chicanas Latinas and Latin American Women Artists, 1960s–1980s 35
Cecilia Fajardo-Hill

Part II Global Art History in Practice/Praxis 55

4 Exhibitions and Biennials in a Global Context 57
Ann Albritton

5 Global Art Histories and Museums 77
Gwen Farrelly

6 Global Art History and its Asymmetries through Two Exhibitions: From The Global Contemporary to India and the World 87
Parul Dave Mukherji

Part III Global Art History and the Past 105

7 Rituals in Art 107
Ann Albritton

8 Migration and Transnational Temporalities in the South Indian Diaspora 119
Judy Peter

9 “A Global Learning for All”: Creative Pedagogy in Art History 139
Pearlie Rose S. Baluyut and Sarena Abdullah

Index 153

Art History in a Global Context

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    A Paperback / softback by Ann Albritton, Gwen Farrelly

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      Publisher: John Wiley and Sons Ltd
      Publication Date: 02/11/2020
      ISBN13: 9781119127819, 978-1119127819
      ISBN10: 1119127815
      Also in:
      History of art

      Description

      Book Synopsis

      Presents a clear and comprehensive introduction to the evolving discipline of global art studies

      This volume examines how art historians, critics, and artists revisit art from ancient times through to the early modern period as well as the ways in which contemporary objects are approached through the lens of global contact, exchange, networks, and trade routes. It assists students who actively seek to understand global art history and the discipline beyond the founding Western canons.

      The first section of Art History in a Global Context: Methods, Themes and Approaches explores how themes related to globalization are framing the creation, circulation, reception, and study of art today. The second section examines how curators, scholars, artists, and critics have challenged the Eurocentric canon through works of art, writings, exhibitions, biennials, large-scale conferences, and the formation of global networks. The third section is designed to help student

      Table of Contents

      Notes on Contributors vii

      Acknowledgments ix

      Introduction 1

      Part I Themes in Global Art History 11

      1 A Porous Iron Curtain: Artistic Contacts and Exchanges across the Eastern European Bloc during the Cold War (1960–1980) 13
      Cristian Nae

      2 Environments and Sustainability 27
      Ann Albritton

      3 Gender, Race, and Feminism: Specificity in a Global Context: The Case of Chicanas Latinas and Latin American Women Artists, 1960s–1980s 35
      Cecilia Fajardo-Hill

      Part II Global Art History in Practice/Praxis 55

      4 Exhibitions and Biennials in a Global Context 57
      Ann Albritton

      5 Global Art Histories and Museums 77
      Gwen Farrelly

      6 Global Art History and its Asymmetries through Two Exhibitions: From The Global Contemporary to India and the World 87
      Parul Dave Mukherji

      Part III Global Art History and the Past 105

      7 Rituals in Art 107
      Ann Albritton

      8 Migration and Transnational Temporalities in the South Indian Diaspora 119
      Judy Peter

      9 “A Global Learning for All”: Creative Pedagogy in Art History 139
      Pearlie Rose S. Baluyut and Sarena Abdullah

      Index 153

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