Description

Book Synopsis

This is the definitive analysis of art as a social and perceptual system by Germany''s leading social theorist of the late twentieth century. It not only represents an important intellectual step in discussions of artin its rigor and in its having refreshingly set itself the task of creating a set of distinctions for determining what counts as art that could be valid for those creating as well as those receiving art worksbut it also represents an important advance in systems theory.

Returning to the eighteenth-century notion of aesthetics as pertaining to the knowledge of the senses, Luhmann begins with the idea that all art, including literature, is rooted in perception. He insists on the radical incommensurability between psychic systems (perception) and social systems (communication). Art is a special kind of communication that uses perceptions instead of language. It operates at the boundary between the social system and consciousness in ways that profoundly irritate commu

Trade Review
"Art as a Social System deserves to be read as a brilliant synthesis of every major philosophy of art, from Baumgarten to Kristeva, and as an ambitious attempt to understand art history in its entirety. . . . It seems inevitable that North American academics in the humanities will soon confront this challenging work."—Literary Research / Recherche Litteraire
"Thus, what is most interesting about Luhmann's view of art is also what is most interesting about his general theory: its sophisticated and elaborate explorations in the evolutionary development of the media of communication, which are perhaps unparalleled in contemporary theory."—American Journal of Sociology
"Overall this is a fascinating, stimulating and thought-provoking book not always in ways that may have been intended by the author."—John Danvers
"This book is a pleasure to read. It is literate, informed, unpretentious, and patient...The book is a spectacular example of one anthropologist's selection of the technical world as an object of study after generations of sociocultural anthropologists' bias against the same."—ISIS

Table of Contents
Contents 1 2 3 4 5 6 7

Art as a Social System

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    A Hardback by Niklas Luhmann, Eva M. Knodt

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      Publisher: Stanford University Press
      Publication Date: 01/09/2000
      ISBN13: 9780804739061, 978-0804739061
      ISBN10: 0804739064
      Also in:
      Theory of art

      Description

      Book Synopsis

      This is the definitive analysis of art as a social and perceptual system by Germany''s leading social theorist of the late twentieth century. It not only represents an important intellectual step in discussions of artin its rigor and in its having refreshingly set itself the task of creating a set of distinctions for determining what counts as art that could be valid for those creating as well as those receiving art worksbut it also represents an important advance in systems theory.

      Returning to the eighteenth-century notion of aesthetics as pertaining to the knowledge of the senses, Luhmann begins with the idea that all art, including literature, is rooted in perception. He insists on the radical incommensurability between psychic systems (perception) and social systems (communication). Art is a special kind of communication that uses perceptions instead of language. It operates at the boundary between the social system and consciousness in ways that profoundly irritate commu

      Trade Review
      "Art as a Social System deserves to be read as a brilliant synthesis of every major philosophy of art, from Baumgarten to Kristeva, and as an ambitious attempt to understand art history in its entirety. . . . It seems inevitable that North American academics in the humanities will soon confront this challenging work."—Literary Research / Recherche Litteraire
      "Thus, what is most interesting about Luhmann's view of art is also what is most interesting about his general theory: its sophisticated and elaborate explorations in the evolutionary development of the media of communication, which are perhaps unparalleled in contemporary theory."—American Journal of Sociology
      "Overall this is a fascinating, stimulating and thought-provoking book not always in ways that may have been intended by the author."—John Danvers
      "This book is a pleasure to read. It is literate, informed, unpretentious, and patient...The book is a spectacular example of one anthropologist's selection of the technical world as an object of study after generations of sociocultural anthropologists' bias against the same."—ISIS

      Table of Contents
      Contents 1 2 3 4 5 6 7

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