Description
Book SynopsisThese essaysexplore the relationship between artistic and technological advances from the Renaissance to the Industrial Revolution. Together they provide a broad definition of technology for this period and address the influence of technological shifts on the history of early modern art.
Table of Contents6 Notes on Contributors
8 Chapter 1 After Prometheus: Art and Technology in Early Modern Europe
Genevieve Warwick and Richard Taws
20 Chapter 2 Historians in the Laboratory: Reconstruction of Renaissance Art and Technology in the Making and Knowing Project
Pamela H. Smith and The Making and Knowing Project
44 Chapter 3 Works in Progress: Painting and Modelling in Seventeenth-Century Holland
Jan Blanc
64 Chapter 4 Looking in the Mirror of Renaissance Art
Genevieve Warwick
92 Chapter 5 Squaring the Circle: The Telescopic View in Early Modern Landscapes
Amy Knight Powell
112 Chapter 6 After Galileo: The Image of Science in Niccolò Tornioli’s Astronomers
Giulia Martina Weston
128 Chapter 7 The Monument to Louis XIV at the Place Vendôme (1699) as a Technical Achievement: A Question of Interest
Etienne Jollet
150 Chapter 8 A Clock Picture as a Philosophical Experiment: The Tableau Mécanique in the Physics Cabinet of Bonnier de la Mosson
Hanneke Grootenboer
166 Chapter 9 Of Air Pumps and Teapots: Joseph Wright of Derby, John Singleton Copley and the Technology of Seeing
Bryan J. Wolf
186 Chapter 10 Technologies of Illusion: De Loutherbourg’s Eidophusikon in Eighteenth-Century London
Ann Bermingham
210 Chapter 11 Telegraphic Images in Post-Revolutionary France
Richard Taws
232 Chapter 12 Seizing Attention: Devices and Desires
Barbara Maria Stafford
239 Index
