Description

Book Synopsis
What can we learn about capitalism by looking at artworks that take money as their subject?

Trade Review
'Perhaps the most theoretically creative radical thinker of the moment' -- – David Graeber, author of Debt: The First 5000 Years (Melville House, 2014)
'Daring, brilliant, provocative. At last a radical critique of the crypto-approach and an abolitionist approach to the problem of money and art' -- Franco Berardi, Philosopher, author of Futurability: The Age of Impotence and the Horizon of Possibility (Verso, 2017)

Table of Contents

Figures
Dedication
Acknowledgements
Introduction
1. 3.5 Artistic Strategies To Envision Money’s Mediation
2. 6 Artists x 2 Crises x 3 Orders Of Reproduction
3. 0 Participation: Benign Pessimism, Tactical Parasitics and the Encrypted Common
4. ∞ Encryption: Art’s Crypt, Securitization in Numbers, Derivative Socialities
5. Conclusion: Toward Abolitionist Horizons
Notes
Subject Index
Name Index

Art after Money Money after Art

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    A Paperback / softback by Max Haiven

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      Book details

      Publisher Pluto Press
      Published 20 August 2018
      ISBN-13 9780745338248
      978-0745338248
      ISBN-10 0745338240
      Also in:
      Business, Finance & Law Political economy Cultural studies Not Just Books Stationery

      Description

      Book Synopsis
      What can we learn about capitalism by looking at artworks that take money as their subject?

      Trade Review
      'Perhaps the most theoretically creative radical thinker of the moment' -- – David Graeber, author of Debt: The First 5000 Years (Melville House, 2014)
      'Daring, brilliant, provocative. At last a radical critique of the crypto-approach and an abolitionist approach to the problem of money and art' -- Franco Berardi, Philosopher, author of Futurability: The Age of Impotence and the Horizon of Possibility (Verso, 2017)

      Table of Contents

      Figures
      Dedication
      Acknowledgements
      Introduction
      1. 3.5 Artistic Strategies To Envision Money’s Mediation
      2. 6 Artists x 2 Crises x 3 Orders Of Reproduction
      3. 0 Participation: Benign Pessimism, Tactical Parasitics and the Encrypted Common
      4. ∞ Encryption: Art’s Crypt, Securitization in Numbers, Derivative Socialities
      5. Conclusion: Toward Abolitionist Horizons
      Notes
      Subject Index
      Name Index

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