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Book Synopsis
Well-known art historians from Europe and the Americas discuss the influence of conceptualism on art since the 1970s.

Art After Conceptual Art tracks the various legacies of conceptualist practice over the past three decades. This collection of essays by art historians from Europe and the Americas introduces and develops the idea that conceptual art generated several different, and even contradictory, forms of art practice. Some of these contested commonplace assumptions of what art is; others served to buttress those assumptions. The bulk of the volume features newly written and highly innovative essays challenging standard interpretations of the legacy of conceptualism and discussing the influence of conceptualism's varied practices on art since the 1970s. The essays explore topics as diverse as the interrelationships between conceptualism and institutional critique, neoexpressionist painting and conceptualist paradigms, conceptual art's often-ignored complicity with

Art After Conceptual Art The MIT Press

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    A Paperback / softback by Alexander Alberro, Sabeth Buchmann

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      Publisher: MIT Press Ltd
      Publication Date: Publication Date: 27/10/2006
      ISBN13: 9780262511957, 978-0262511957
      ISBN10: 0262511959

      Description

      Book Synopsis
      Well-known art historians from Europe and the Americas discuss the influence of conceptualism on art since the 1970s.

      Art After Conceptual Art tracks the various legacies of conceptualist practice over the past three decades. This collection of essays by art historians from Europe and the Americas introduces and develops the idea that conceptual art generated several different, and even contradictory, forms of art practice. Some of these contested commonplace assumptions of what art is; others served to buttress those assumptions. The bulk of the volume features newly written and highly innovative essays challenging standard interpretations of the legacy of conceptualism and discussing the influence of conceptualism's varied practices on art since the 1970s. The essays explore topics as diverse as the interrelationships between conceptualism and institutional critique, neoexpressionist painting and conceptualist paradigms, conceptual art's often-ignored complicity with

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