Description

Book Synopsis

Following current developments in contemporary art history, historians of Jewish art increasingly redefine themselves as studying Jewish visual culture and also distance themselves from any single definition of ‘Jewish’. Focusing instead on the range and flexibility of both individual and collective Jewish self-identification, the trend today is to consider artistic creativity, messages, and reception in multiple intracultural settings.

Reflecting this trend, the volume presents a round-table discussion and selected papers from Constructing and Deconstructing Jewish Art, an international symposium held at Bar-Ilan University in 2015. Accordingly, Steven Fine questions the role of ideologies and the limits of semantic analysis in contemporary readings of ancient Jewish art. Sergey Kravtsov traces the transmission of legends about the Jewish past through cultures and artistic practices. Larry Silver proposes that in modern societies, all artists of Jewish origin are marked by their Jewishness and develop a minority self-consciousness. Ben Schachter notes how criticism of religious art has neglected the material and artistic process and focused only on spirituality and theology. Kathrin Pieren discusses the role of public displays in negotiating the relationship between art and identities. The volume also includes two articles on the effects of displacement on the art of twentieth-century Jewish artists of Russian origin; description of a forgotten masterpiece by Hermann Struck; and book reviews.

Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts.

Contributors: Ziva Amishai-Maisels, Hebrew University of Jerusalem, Maya Balakirsky Katz, Touro College, New York, Samantha Baskind, Cleveland State University, Asher Biemann, University of Virginia, Monika Czekanowska-Gutman, University of Warsaw, Marina Dmitrieva, Leibniz-Institut für Geschichte und Kultur des Östlichen Europa, Leipzig, Steven Fine, Yeshiva University, New York, Eva Frojmovich, University of Leeds, Batsheva Goldman-Ida, Tel Aviv Museum of Art, William L. Gross, collector, Tel Aviv, Felicitas Heiman-Jelinek, independent scholar and curator, Vienna, Ahuva Klein, independent researcher, Tel Aviv, Rudolf Klein, Szent István University, Budapest, Lola Kantor Kazovsky, Hebrew University of Jerusalem, Katrin Kogman-Appel, Westfälische Wilhelms-Universität, Münster, Sergey R. Kravtsov, Hebrew University of Jerusalem, Shulamit Laderman, Schechter Institute for Jewish Studies, Jerusalem, Irit Miller, University of Haifa, Kathrin Pieren, University of Southampton, Mirjam Rajner, Bar-Ilan University, Ramat-Gan, Ilia Rodov, Bar-Ilan University, Ramat-Gan, Ben Schachter, Saint Vincent College, Pennsylvania, Larry Silver, University of Pennsylvania, Daniel Sperber, Bar-Ilan University, Ramat-Gan, Annette Weber, Hochschule für Jüdische Studien, Heidelberg, Gil Weissblei, National Library of Israel, Jerusalem, Bracha Yaniv, Bar-Ilan University, Ramat-Gan

Volumes of Ars Judaica are distributed by the Littman Library of Jewish Civilization throughout the world, except Israel. Orders and enquiries from Israeli customers should be directed to:

Ars Judaica

Department of Jewish Art

Bar-Ilan University

Ramat-Gan 52900

telephone 03 5318413

fax 03 6359241

email ajudaica@mail.biu.ac.il



Table of Contents
Symposium: Constructing and Deconstructing Jewish Art 1. The Round Table Discussion 2. From Synagogue Furnishing to Media Event: The Magdala Ashlar Steven Fine 3. Polish-Jewish Discourse in Art History: Standpoints, Objectives, Methodologies Sergey R. Kravtsov 4. Jewish Art and Modernity 5. Contemporary Jewish Art Criticism Ben Schachter The Role of Exhibitions in the Definition of Jewish Art and the Discourse on Jewish Identity Kathrin Pieren Articles 6. In Search for a New Jewish Art: Leonid Pasternak in Jerusalem Gil Weissblei 7. Evacuation Amination: Jewish Geographies and Sindbad the Sailor in Crimea Maya Balakirsky Katz Special Item The Wanderings of Hermann Struck's 'Ahasver' Mirjam Rajner and Ahuva Klein Book Reviews Elana Shapira, Style and Seduction: Jewish Patrons, Architecture, and Design in Fin de Siècle Vienna Asher Biemann Carol Zemel, Looking Jewish Samantha Baskind Lola Kantor-Kazobsky, Grobman (in Russian) Marina Dmitrieva PRIZES REVIEWS

Ars Judaica: The Bar-Ilan Journal of Jewish Art, Volume 13: The Michael J. Floersheim Memorial for Jewish Art

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    A Paperback by Ilia Rodov, Sara Offenberg, Mirjam Rajner

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      View other formats and editions of Ars Judaica: The Bar-Ilan Journal of Jewish Art, Volume 13: The Michael J. Floersheim Memorial for Jewish Art by Ilia Rodov

      Publisher: Liverpool University Press
      Publication Date: 31/05/2017
      ISBN13: 9781906764654, 978-1906764654
      ISBN10: 1906764654

      Description

      Book Synopsis

      Following current developments in contemporary art history, historians of Jewish art increasingly redefine themselves as studying Jewish visual culture and also distance themselves from any single definition of ‘Jewish’. Focusing instead on the range and flexibility of both individual and collective Jewish self-identification, the trend today is to consider artistic creativity, messages, and reception in multiple intracultural settings.

      Reflecting this trend, the volume presents a round-table discussion and selected papers from Constructing and Deconstructing Jewish Art, an international symposium held at Bar-Ilan University in 2015. Accordingly, Steven Fine questions the role of ideologies and the limits of semantic analysis in contemporary readings of ancient Jewish art. Sergey Kravtsov traces the transmission of legends about the Jewish past through cultures and artistic practices. Larry Silver proposes that in modern societies, all artists of Jewish origin are marked by their Jewishness and develop a minority self-consciousness. Ben Schachter notes how criticism of religious art has neglected the material and artistic process and focused only on spirituality and theology. Kathrin Pieren discusses the role of public displays in negotiating the relationship between art and identities. The volume also includes two articles on the effects of displacement on the art of twentieth-century Jewish artists of Russian origin; description of a forgotten masterpiece by Hermann Struck; and book reviews.

      Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts.

      Contributors: Ziva Amishai-Maisels, Hebrew University of Jerusalem, Maya Balakirsky Katz, Touro College, New York, Samantha Baskind, Cleveland State University, Asher Biemann, University of Virginia, Monika Czekanowska-Gutman, University of Warsaw, Marina Dmitrieva, Leibniz-Institut für Geschichte und Kultur des Östlichen Europa, Leipzig, Steven Fine, Yeshiva University, New York, Eva Frojmovich, University of Leeds, Batsheva Goldman-Ida, Tel Aviv Museum of Art, William L. Gross, collector, Tel Aviv, Felicitas Heiman-Jelinek, independent scholar and curator, Vienna, Ahuva Klein, independent researcher, Tel Aviv, Rudolf Klein, Szent István University, Budapest, Lola Kantor Kazovsky, Hebrew University of Jerusalem, Katrin Kogman-Appel, Westfälische Wilhelms-Universität, Münster, Sergey R. Kravtsov, Hebrew University of Jerusalem, Shulamit Laderman, Schechter Institute for Jewish Studies, Jerusalem, Irit Miller, University of Haifa, Kathrin Pieren, University of Southampton, Mirjam Rajner, Bar-Ilan University, Ramat-Gan, Ilia Rodov, Bar-Ilan University, Ramat-Gan, Ben Schachter, Saint Vincent College, Pennsylvania, Larry Silver, University of Pennsylvania, Daniel Sperber, Bar-Ilan University, Ramat-Gan, Annette Weber, Hochschule für Jüdische Studien, Heidelberg, Gil Weissblei, National Library of Israel, Jerusalem, Bracha Yaniv, Bar-Ilan University, Ramat-Gan

      Volumes of Ars Judaica are distributed by the Littman Library of Jewish Civilization throughout the world, except Israel. Orders and enquiries from Israeli customers should be directed to:

      Ars Judaica

      Department of Jewish Art

      Bar-Ilan University

      Ramat-Gan 52900

      telephone 03 5318413

      fax 03 6359241

      email ajudaica@mail.biu.ac.il



      Table of Contents
      Symposium: Constructing and Deconstructing Jewish Art 1. The Round Table Discussion 2. From Synagogue Furnishing to Media Event: The Magdala Ashlar Steven Fine 3. Polish-Jewish Discourse in Art History: Standpoints, Objectives, Methodologies Sergey R. Kravtsov 4. Jewish Art and Modernity 5. Contemporary Jewish Art Criticism Ben Schachter The Role of Exhibitions in the Definition of Jewish Art and the Discourse on Jewish Identity Kathrin Pieren Articles 6. In Search for a New Jewish Art: Leonid Pasternak in Jerusalem Gil Weissblei 7. Evacuation Amination: Jewish Geographies and Sindbad the Sailor in Crimea Maya Balakirsky Katz Special Item The Wanderings of Hermann Struck's 'Ahasver' Mirjam Rajner and Ahuva Klein Book Reviews Elana Shapira, Style and Seduction: Jewish Patrons, Architecture, and Design in Fin de Siècle Vienna Asher Biemann Carol Zemel, Looking Jewish Samantha Baskind Lola Kantor-Kazobsky, Grobman (in Russian) Marina Dmitrieva PRIZES REVIEWS

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