Description

Book Synopsis
This new edition of Barker’s seminal text Arguments for a Theatre outlinesthe theory and practice of his ‘Theatre of Catastrophe’. Author of over thirty plays, Howard Barker has long been an implacable foe of the liberal British establishment, and champion of radical theatre world-wide. His best-known plays are The Castle, Scenes from an Execution and The Possibilities. All his plays are emotionally highly charged, intellectually stimulating and have no truck with the theatrical conventions of what he terms the ‘Establishment Theatre’. These fragments, essays, thoughts and poems on the nature of theatre likewise reject the constraints of ‘objective’ academic theatre criticism. Rather they explore the collision (and collusion) of intellect and artistry in the creative act. This book is more than a collection of essays: it is a cultural manifesto.

Trade Review
‘A manifesto as systematically unsystematic as Artaud’s for a Theatre of Cruelty – a comparable mixture of self-revelation, self-concealment, anger and explosive excitement. The essays, all of them, are clamorous, challenging and eloquent. Indisputably brilliant.’ -- Peter Thomson * University of Exeter *

Arguments for a Theatre: (4th edition)

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    Order before 4pm today for delivery by Mon 15 Jun 2026.

    A Paperback / softback by Howard Barker

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      View other formats and editions of Arguments for a Theatre: (4th edition) by Howard Barker

      Publisher: Bloomsbury Publishing PLC
      Publication Date: 26/02/2016
      ISBN13: 9781783198054, 978-1783198054
      ISBN10: 1783198052

      Description

      Book Synopsis
      This new edition of Barker’s seminal text Arguments for a Theatre outlinesthe theory and practice of his ‘Theatre of Catastrophe’. Author of over thirty plays, Howard Barker has long been an implacable foe of the liberal British establishment, and champion of radical theatre world-wide. His best-known plays are The Castle, Scenes from an Execution and The Possibilities. All his plays are emotionally highly charged, intellectually stimulating and have no truck with the theatrical conventions of what he terms the ‘Establishment Theatre’. These fragments, essays, thoughts and poems on the nature of theatre likewise reject the constraints of ‘objective’ academic theatre criticism. Rather they explore the collision (and collusion) of intellect and artistry in the creative act. This book is more than a collection of essays: it is a cultural manifesto.

      Trade Review
      ‘A manifesto as systematically unsystematic as Artaud’s for a Theatre of Cruelty – a comparable mixture of self-revelation, self-concealment, anger and explosive excitement. The essays, all of them, are clamorous, challenging and eloquent. Indisputably brilliant.’ -- Peter Thomson * University of Exeter *

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