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Book Synopsis
Th?is?? b?ook offers a survey of post-World War II German-language post-memorial writing.? An analysis? of? the books by? Heinrich Böll, Günter Grass, and Wolfgang Koeppen? e?xposes the difficult path of German writing about the Holocaust. Koeppen's unauthorized ??appropriation of Jakob Littner's survivor memoir serves as the frame for th?is study,?? ?expos?ing?? ?the difference?s? between perpetrator and victim perspectives. The various attempts ?by? the current generation? of authors? to bridge th?is? ?divide? ?reflect? the renewed interest and changed attitude?s? towards the Holocaust ?that emerged ?in Germany after ?R?eunification. Included in this volume are W. G. Sebald's imaginary dialogue between a victim and a perpetrator, Ursula Krechel's exploration of Jewish life in Shanghai from a Jewish perspective, Iris Hanika's presentation of the distraught mindset of a member of Germany's second perpetrator generation, and Kevin Vennemann's ?narrative about? a Jewish child in? the midst of? a Polish massacre.

Appropriated Memory

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      Book details

      Published 1 August 2025
      ISBN-13 9781803747033
      978-1803747033
      ISBN-10 180374703X

      Description

      Book Synopsis
      Th?is?? b?ook offers a survey of post-World War II German-language post-memorial writing.? An analysis? of? the books by? Heinrich Böll, Günter Grass, and Wolfgang Koeppen? e?xposes the difficult path of German writing about the Holocaust. Koeppen's unauthorized ??appropriation of Jakob Littner's survivor memoir serves as the frame for th?is study,?? ?expos?ing?? ?the difference?s? between perpetrator and victim perspectives. The various attempts ?by? the current generation? of authors? to bridge th?is? ?divide? ?reflect? the renewed interest and changed attitude?s? towards the Holocaust ?that emerged ?in Germany after ?R?eunification. Included in this volume are W. G. Sebald's imaginary dialogue between a victim and a perpetrator, Ursula Krechel's exploration of Jewish life in Shanghai from a Jewish perspective, Iris Hanika's presentation of the distraught mindset of a member of Germany's second perpetrator generation, and Kevin Vennemann's ?narrative about? a Jewish child in? the midst of? a Polish massacre.

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