Description

The career of Spain’s celebrated author Carmen Martín Gaite spanned the Spanish Civil War, Franco’s dictatorship, and the nation’s transition to democracy. She wrote fiction, poetry, drama, screenplays for television and film, and books of literary and cultural analysis. The only person to win Spain’s National Prize for Literature (Premio Nacional de las Letras) twice, Martín Gaite explored and blended a range of genres, from social realism to the fantastic, as she took up issues of gender, class, economics, and aesthetics in a time of political upheaval.

Part 1 (“Materials”) of this volume provides resources for instructors and a literary-historical chronology. The essays in part 2 (“Approaches”) consider Martín Gaite’s bestknown novel, The Back Room (El cuarto de atrás), and other works from various perspectives: narratological, feminist, sociocultural, stylistic. In an appendix, the volume editor, who was a friend of the author, provides a new translation of Martín Gaite’s only autobiographical sketch, alongside the original Spanish.

Approaches to Teaching the Works of Carmen Martín Gaite

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The career of Spain’s celebrated author Carmen Martín Gaite spanned the Spanish Civil War, Franco’s dictatorship, and the nation’s transition... Read more

    Publisher: Modern Language Association of America
    Publication Date: 30/01/2013
    ISBN13: 9781603291323, 978-1603291323
    ISBN10: 1603291326

    Number of Pages: 280

    Non Fiction , Dictionaries, Reference & Language

    Description

    The career of Spain’s celebrated author Carmen Martín Gaite spanned the Spanish Civil War, Franco’s dictatorship, and the nation’s transition to democracy. She wrote fiction, poetry, drama, screenplays for television and film, and books of literary and cultural analysis. The only person to win Spain’s National Prize for Literature (Premio Nacional de las Letras) twice, Martín Gaite explored and blended a range of genres, from social realism to the fantastic, as she took up issues of gender, class, economics, and aesthetics in a time of political upheaval.

    Part 1 (“Materials”) of this volume provides resources for instructors and a literary-historical chronology. The essays in part 2 (“Approaches”) consider Martín Gaite’s bestknown novel, The Back Room (El cuarto de atrás), and other works from various perspectives: narratological, feminist, sociocultural, stylistic. In an appendix, the volume editor, who was a friend of the author, provides a new translation of Martín Gaite’s only autobiographical sketch, alongside the original Spanish.

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