Description
Book SynopsisJohn Freeman is a Fellow of the RSA and has occupied professorial and consultancy posts at UK and Australian universities; in addition to his academic roles at the University of Huddersfield, UK, and the University of Notre Dame, Australia, he is a Director at Motorvate UK, a not-for-profit organisation with a focus on adult education, employability and social inclusion.
Table of Contents1. Perspectives and Provocations, Prescriptions and Principles; John Freeman 2. WAWPT: Whole Actor, Whole Person Training: Designing a holistic actor training programme for individual career longevity and wellbeing; Andrea L Moor 3. Being Human; Adrian James 4. All Those Words: Why bother with all those old plays?; Annie Tyson 5. What Are You Saying? An Approach to Teaching Text in an Era of Language Loss; Laura Wayth 6. Mind the Gap: Gong Feng Shui and the Missing Teeth (Ma); Robert Draffin 7. The British Tradition in Acting Shakespeare: Challenges to teaching the Acting of Shakespeare in a UK Conservatoire in the 21st century; Stephen Simms 8. An Actor’s World: Of People, Space, Time and Text; Jeff Janisheski 9. Approaches to Acting and Interacting in Immersive and Interactive Contexts; Klaus Kruse 10. Yoga in a Circle: Actor Training Beyond Borders; Diane M. Sadak 11. The Architecture of Action: Late Stanislavski in Contemporary Practice; Hugh O’Gorman 12. Standing on the Outside Looking In; Michael McCall 13. An Eye on the Exit: Actor Training in a Liberal Arts Environment. Ellen Margolis.
