Description

Book Synopsis
In Applied Emblems in the Cathedral of Lugo, Carme López Calderón explores the emblematic programme found in the Chapel of Nuestra Señora de los Ojos Grandes (Galicia, Spain), consisting of fifty-eight emblems painted c. 1735. Making use of a wide range of printed sources, the author delves into the meaning of each emblem and provides an all-encompassing interpretation of this cycle, which can rightly be described as the richest and most complete programme of Marian applied emblematics in the Iberian Peninsula.

Table of Contents
Acknowledgements List of Figures Note on Citation and Translation Introduction 1 Emblematics and Mariology 2 Emblematic Sources for the Chapel  1 Pancarpium marianum (Antuerpiae, 1607)  2 Schola cordis (Antuerpiae, 1629)  3 Mundus symbolicus (Coloniae Agrippinae, 1681)  4 Tractatus moralis (Gandavi, 1660) and Rosa laureada entre los santos (Madrid, 1670) 3 The Paintings Inspired by the Pancarpium Marianum  1 The Scriptural Titles of Mary 4 Further Play on Sacred Emblematics  1 The Excellences of Mary  2 The Perfection of the Faithful through the Schola Cordis 5 Suggested Reading: Painting, Sculpture, and Architecture in the Service of Marian Devotion Appendix 1 Appendix 2 Bibliography Index

Applied Emblems in the Cathedral of Lugo: European Sources for a Spanish Cycle Addressed to the Virgin Mary

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      View other formats and editions of Applied Emblems in the Cathedral of Lugo: European Sources for a Spanish Cycle Addressed to the Virgin Mary by Carme López Calderón

      Publisher: Brill
      Publication Date: 11/02/2021
      ISBN13: 9789004359512, 978-9004359512
      ISBN10:

      Description

      Book Synopsis
      In Applied Emblems in the Cathedral of Lugo, Carme López Calderón explores the emblematic programme found in the Chapel of Nuestra Señora de los Ojos Grandes (Galicia, Spain), consisting of fifty-eight emblems painted c. 1735. Making use of a wide range of printed sources, the author delves into the meaning of each emblem and provides an all-encompassing interpretation of this cycle, which can rightly be described as the richest and most complete programme of Marian applied emblematics in the Iberian Peninsula.

      Table of Contents
      Acknowledgements List of Figures Note on Citation and Translation Introduction 1 Emblematics and Mariology 2 Emblematic Sources for the Chapel  1 Pancarpium marianum (Antuerpiae, 1607)  2 Schola cordis (Antuerpiae, 1629)  3 Mundus symbolicus (Coloniae Agrippinae, 1681)  4 Tractatus moralis (Gandavi, 1660) and Rosa laureada entre los santos (Madrid, 1670) 3 The Paintings Inspired by the Pancarpium Marianum  1 The Scriptural Titles of Mary 4 Further Play on Sacred Emblematics  1 The Excellences of Mary  2 The Perfection of the Faithful through the Schola Cordis 5 Suggested Reading: Painting, Sculpture, and Architecture in the Service of Marian Devotion Appendix 1 Appendix 2 Bibliography Index

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