Description
Book SynopsisA brilliant, magisterial novel of family secrets simmering beneath the surface
Trade Review"Accreting through cumulative and sometimes contradictory accounts of a crumbling São Paulo dynasty, this philosophical novel examines what people present and what they conceal, even from themselves....Bracher and translator Morris render a sophisticated, multifaceted portrait of a family that endures nevertheless through its decline and the prolonged fallout from the choices they made—or that were left them—through the lives they lived. An elegant and nuanced meditation on family, class, perception, illness, and death." -- Kirkus (starred review)
"This spellbinding and surprising work announced Bracher as one of the most fascinating contemporary Brazilian writers. " -- Publishers Weekly (starred review)
"No one but Beatriz Bracher would be able to write a book like
Antonio in Brazil today, because only she manages to write so intimately and forcefully, so ironically and bitterly, about the bourgeois upper class." -- Jornal do Brasil
"
Praise for I Didn't Talk: Brilliant, enigmatic, haunting, powerful; Bracher is a force to be reckoned with." -- Publishers Weekly (starred review)
"Simmering." -- Vanity Fair
"Above all, it's the writing that shines in
I Didn't Talk. It's a novel that's intelligent but not showy, and Bracher's restraint makes the story all the more potent. And the story is an important one.
I Didn't Talk isn't just about one emotionally bruised man; it's about the lasting effects of violence, and the way cruelty causes its victims to torture themselves." -- Michael Schaub - NPR
"As in her novel “I Didn’t Talk” (also elaborately translated by Morris), Bracher brilliantly picks away at the web of secrets and lies plaguing a family and country." -- Andersen Tepper - New York Times
"Grief and distance have the power to turn memory into myth in Antonio, a masterpiece of storytelling that is slippery and prismatic, biting and cynical, and then, at last, gentle." -- Ally Findley - Harvard Review
"Antonio feel[s] neither entirely like the work of a single author nor like a folk tale, propelling it into a liminal space that allows Bracher to address her real subject: the enduring violence, misogyny, and racism of Brazil’s hierarchical society." -- Kyle Paoletta - The Nation
