Description
Book SynopsisAnselm Reyle is one of the internationally most renowned German artists of his generation. Born in Tü bingen, he grew up in Heilbronn where he exhibited his work at Kunsthalle Vogelmann. The list of places where he has exhibited reads like a who? s who of the art world: from Kunsthalle Zurich to Palazzo Grassi in Venice, from Deichtorhallen Hamburg to museums in the United States. His collaborations, such as with Dior for an exclusive series of handbags, are legendary. Anselm Reyle mixes styles, colors, and materials in a rather intriguing way, working with car paint, PVC and mirror film, spray paint, LED lights, concrete, and clay. Found objects as source material tend to play a prominent role in his work; these may be elements from works by other artists, as well as everyday objects, architecture, or design objects. This approach to his own work as reflection, appropriation, rephrasing and reformulation is thus made visible and addressed time and again. The viewers get caught up in the surprising beat of opposing formal as well as material samplings, in which the entire pictorial repertoire of modern abstract image development finds itself.
