Description

Book Synopsis

Over the last century, the medium of animation has served as an expression of childhood as well as a method of subverting the expectations of what society has promised for the future. Separated into three parts, this work assembles various explorations of taste, culture and passion through animation.

Section I features essays that outline the historical changes in art and society that gave rise to an outsider culture that found a home in animation. In the second section, essays examine the practical use of animation as a voice for the underserved. Finally, in Section III, essays analyze the ways in which animation has reshaped the acceptance of outsider status to embrace otherness. Featuring everything from feature-length films to self-produced YouTube videos, the essays in this text reflect a shared love of animation and its unique ability to comment on society and culture.



Trade Review
A succinct and well-written introduction to the cultural utility of animated cartoons"—Philip L. Simpson, Eastern Florida State College

Table of Contents
  • Table of Contents
  • Introduction
  • Brian N. Duchaney and David S. Silverman
  • Part I: Historical Constructs and the Rise of Subversiveness
  • Saturday Morning Trojan Mouse: The Origin of the ­­Creator-Driven Television Cartoon
  • Lev Cantoral and Tyler Solon Williams
  • Capitalization in a ­­Half-Shell: Multimedia, ­­Cross-Demographic Marketing of Animated and Comic Content from Mickey to Michelangelo
  • Jared Bahir Browsh
  • "Someone's coming! Act natural": Visions of Animated Childhood in 1990s America
  • Jane Batkin
  • Part II: Rethinking American Culture Through Social Challenges
  • Rocko's Modern Life and the Pains of Early Adulting
  • Adrián García
  • Shrek and the Art of Subversion
  • Chandrama Basu
  • "Once again, the day is saved": How the Subversive Feminism of The Powerpuff Girls Permanently Changed Television Animation
  • David Perlmutter
  • We Need to Talk About The Lego Movie! Social Commentary and Consumer Culture in the ­­LEGO-verse
  • Sasha Dilan Krugman
  • Part III: Modern America and the Transformation of Social Order
  • "This is me now!" Gene's Gender Play in Bob's Burgers
  • Dan Abitz
  • Giving Cinderella a Girlfriend: Queerness and Subversion in Non/Disney Fan Videos
  • Danielle Hart
  • "Who are you? Who am I!?" The Raunchy Identity Moratorium in Netflix's Big Mouth
  • Marcus Mallard
  • Daria: Still Standing on Our Necks, Then and
  • David S. Silverman
  • Bibliography
  • About the Contributors
  • Index

Animated Mischief

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    £27.54

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    RRP £28.99 – you save £1.45 (5%)

    Order before 4pm today for delivery by Wed 17 Jun 2026.

    A Paperback by David S. Silverman

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      View other formats and editions of Animated Mischief by

      Publisher: McFarland & Co Inc
      Publication Date: 1/28/2023 12:09:00 AM
      ISBN13: 9781476663975, 978-1476663975
      ISBN10: 1476663971

      Description

      Book Synopsis

      Over the last century, the medium of animation has served as an expression of childhood as well as a method of subverting the expectations of what society has promised for the future. Separated into three parts, this work assembles various explorations of taste, culture and passion through animation.

      Section I features essays that outline the historical changes in art and society that gave rise to an outsider culture that found a home in animation. In the second section, essays examine the practical use of animation as a voice for the underserved. Finally, in Section III, essays analyze the ways in which animation has reshaped the acceptance of outsider status to embrace otherness. Featuring everything from feature-length films to self-produced YouTube videos, the essays in this text reflect a shared love of animation and its unique ability to comment on society and culture.



      Trade Review
      A succinct and well-written introduction to the cultural utility of animated cartoons"—Philip L. Simpson, Eastern Florida State College

      Table of Contents
      • Table of Contents
      • Introduction
      • Brian N. Duchaney and David S. Silverman
      • Part I: Historical Constructs and the Rise of Subversiveness
      • Saturday Morning Trojan Mouse: The Origin of the ­­Creator-Driven Television Cartoon
      • Lev Cantoral and Tyler Solon Williams
      • Capitalization in a ­­Half-Shell: Multimedia, ­­Cross-Demographic Marketing of Animated and Comic Content from Mickey to Michelangelo
      • Jared Bahir Browsh
      • "Someone's coming! Act natural": Visions of Animated Childhood in 1990s America
      • Jane Batkin
      • Part II: Rethinking American Culture Through Social Challenges
      • Rocko's Modern Life and the Pains of Early Adulting
      • Adrián García
      • Shrek and the Art of Subversion
      • Chandrama Basu
      • "Once again, the day is saved": How the Subversive Feminism of The Powerpuff Girls Permanently Changed Television Animation
      • David Perlmutter
      • We Need to Talk About The Lego Movie! Social Commentary and Consumer Culture in the ­­LEGO-verse
      • Sasha Dilan Krugman
      • Part III: Modern America and the Transformation of Social Order
      • "This is me now!" Gene's Gender Play in Bob's Burgers
      • Dan Abitz
      • Giving Cinderella a Girlfriend: Queerness and Subversion in Non/Disney Fan Videos
      • Danielle Hart
      • "Who are you? Who am I!?" The Raunchy Identity Moratorium in Netflix's Big Mouth
      • Marcus Mallard
      • Daria: Still Standing on Our Necks, Then and
      • David S. Silverman
      • Bibliography
      • About the Contributors
      • Index

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