Description

Book Synopsis

Chapter 1: Creaturely Fear: An Introduction.- Part 1: Animal Traces.- Chapter 2: Surrealism and Creaturely Holocaust Killing in Juraj Herz’s The Cremator.- Chapter 3: Jordan Peele’s Animals: Zoological Horror, Afropessimist Allegory and the Alien Superstar.- Chapter 4: The Animal-Image: On the Uses of Animals in Claire Denis’ Horror Films.- Part 2: The Multi-Sensorial Animal.- Chapter 5: A Horror Multiplied by the Eyes of Every House Fly: Compound Misconceptions and Prejudices on Filmic Insects.- Chapter 6: Killer Wail: Colouring Nonhuman Trauma in Orca: The Killer Whale.- Chapter 7: Sound, Silence, Horror, and the Hare.- Part 3: True Story Monstrosities.- Chapter 8: Animal Agency and Animal Sovereignties in Roar.- Chapter 9: Living with Saltwater Crocodiles: Respectful and Reverential Eco-Fear in Dark Age.- Chapter 10: “The Touch of his Hairy Hand Offended You”: The Epistemological Indeterminacy of Ted Kotcheff’s Wake in Fright.- Part 4: Meat, Sacrifice and Sympathy.- Chapter 11: Made in the Harming: Julia Ducournau’s Raw and the Cutting Continuities of Animal Montage.- Chapter 12: Flesh & Negation: Vegan Aesthetics and Sympathetic Action in David Lynch’s Eraserhead.

Animality and Horror Cinema

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    A Hardback by Peter Sands

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      Publisher: Palgrave Macmillan
      Publication Date: 5/23/2025
      ISBN13: 9783031872938, 978-3031872938
      ISBN10: 3031872932
      Also in:
      Films, cinema

      Description

      Book Synopsis

      Chapter 1: Creaturely Fear: An Introduction.- Part 1: Animal Traces.- Chapter 2: Surrealism and Creaturely Holocaust Killing in Juraj Herz’s The Cremator.- Chapter 3: Jordan Peele’s Animals: Zoological Horror, Afropessimist Allegory and the Alien Superstar.- Chapter 4: The Animal-Image: On the Uses of Animals in Claire Denis’ Horror Films.- Part 2: The Multi-Sensorial Animal.- Chapter 5: A Horror Multiplied by the Eyes of Every House Fly: Compound Misconceptions and Prejudices on Filmic Insects.- Chapter 6: Killer Wail: Colouring Nonhuman Trauma in Orca: The Killer Whale.- Chapter 7: Sound, Silence, Horror, and the Hare.- Part 3: True Story Monstrosities.- Chapter 8: Animal Agency and Animal Sovereignties in Roar.- Chapter 9: Living with Saltwater Crocodiles: Respectful and Reverential Eco-Fear in Dark Age.- Chapter 10: “The Touch of his Hairy Hand Offended You”: The Epistemological Indeterminacy of Ted Kotcheff’s Wake in Fright.- Part 4: Meat, Sacrifice and Sympathy.- Chapter 11: Made in the Harming: Julia Ducournau’s Raw and the Cutting Continuities of Animal Montage.- Chapter 12: Flesh & Negation: Vegan Aesthetics and Sympathetic Action in David Lynch’s Eraserhead.

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