Description

Book Synopsis
for SATB (with divisions) and pianoBenjamin Harlan's spirited arrangement of the French carol Angels we have heard on high has an energetic drive, a sparkling piano part, and a joyful refrain. Its sprightly 7/8 metre brings a fresh take to this perennial favourite.

Trade Review
Harlan foreshortens the traditional tune Gloria by omitting an eighth note pulse, setting the tune in 7/8 throughout. The piano accompaniment is spirited yet not overpowering. The homophonic choral writing is fairly conventional, although Harlan has a few well-timed harmonic twists. Generally, though, the music is not particularly challenging. Most experienced choirs could pick this anthem up in short order to fill out a program with an ebullient bit of Christmas cheer. * Jason Overall, Journal of the Association of Anglican Musicians , November 2018 *

Angels we have heard on high Vocal score Festival

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    By Benjamin Harlan

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      View other formats and editions of Angels we have heard on high Vocal score Festival by Benjamin Harlan

      Publisher: Oxford University Press
      Publication Date: 5/31/2018 12:00:00 AM
      ISBN13: 9780193524347, 978-0193524347
      ISBN10: 0193524341

      Description

      Book Synopsis
      for SATB (with divisions) and pianoBenjamin Harlan's spirited arrangement of the French carol Angels we have heard on high has an energetic drive, a sparkling piano part, and a joyful refrain. Its sprightly 7/8 metre brings a fresh take to this perennial favourite.

      Trade Review
      Harlan foreshortens the traditional tune Gloria by omitting an eighth note pulse, setting the tune in 7/8 throughout. The piano accompaniment is spirited yet not overpowering. The homophonic choral writing is fairly conventional, although Harlan has a few well-timed harmonic twists. Generally, though, the music is not particularly challenging. Most experienced choirs could pick this anthem up in short order to fill out a program with an ebullient bit of Christmas cheer. * Jason Overall, Journal of the Association of Anglican Musicians , November 2018 *

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