Description
Book SynopsisThrough the lens of a history of material culture mediated by an object, Angelica''s Book and the World of Reading in Late Renaissance Italy investigates aspects of women's lives, culture, ideas and the history of the book in early modern Italy.
Inside a badly damaged copy of Straparola's 16th-century work, Piacevoli Notti, acquired in a Florentine antique shop in 2010, an inscription is found, attributing ownership to a certain Angelica Baldachini. The discovery sets in motion a series of inquiries, deploying knowledge about calligraphy, orthography, linguistics, dialectology and the socio-psychology of writing, to reveal the person behind the name. Focusing as much on the possible owner as upon the thing owned, Angelica's Book examines the genesis of the Piacevoli Notti and its many editions, including the one in question. The intertwined stories of the book and its owner are set against the backdrop of a Renaissance world, still imperfectly un
Trade Review
Angelica’s Book has considerable charm, and may lure that wide audience of educated but nonspecialist readers that scholarly books seek but often miss … the prose has a freshness that academic histories tend to lack … an intriguing and provocative narrative. * Renaissance Quarterly *
Through the common thread that lies between a book and its reader, Dooley artfully takes us into a dusty, hidden world. (Bloomsbury Translation) * Corriere della Sera *
This book adds a most precious chapter to the history of books and reading in the early modern period. Dooley has the very rare virtue of combining scholarly exactitude and methodological intelligence with narrative entertainment. Angelica’s Book represents not just a splendid piece of research and a riveting account, but helps everyone to understand the crucial importance of the humanities in our world. * Nicola Gardini, University of Oxford, UK *
Angelica’s Book approaches the discipline of book history as a path rather than a territory, using a single book artefact to offer close views of the lives and places it touched. Author and owner are joined by a rich cast of printers, censors, merchants, tutors, critics, literary inspirations, powerful patrons, and feuding princes, whose intertwining stories combine to show the rich fabric of Renaissance life. With its vivid authorial presence and prose more tender than clinical, Angelica’s Book presents a double narrative of the parallel encounters with a book experienced by the Renaissance world on the one hand, and a modern scholar on the other. Yet it is also deeply engaged with context, providing a richer understanding of the intricate world which the book’s meandering encounters demonstrate. Dooley shows how the simple acts of owning and reading were affected by period approaches to sexuality, education, religion, gender, honor, and the many kinds of power, institutional and intellectual, at play in the deceptively simple arena of the Renaissance printed page. * Ada Palmer, University of Chicago, USA *
Ambitiously inspired … [The] world of reading in Renaissance Italy … is deftly fleshed out by informed treatments of topics like the circulation of news, women’s book ownership, mnemonic techniques, storytelling practices, and censorship. * Renaissance and Reformation *
Illuminating ... Dooley offers fascinating insights. * Isis Journal *
Table of Contents
List of Illustrations Preface Introduction 1. Straparola and Late Renaissance Publishing 2. The Trials of Literature in an Age of Censorship 3. A Woman’s Hand 4. Angelica and her Book 5. Reading and Gender 6. Book Conservation and the Digital Turn Conclusion Notes Select Bibliography Index
