Description

This edition provides both professional critics and casual readers with a methodical aid to appreciating what the author believes to be the most aesthetically eventful, unobtrusively playful, and undemanding complex long poem of the English Renaissance. Using line-by-line annotation, the edition strives to pay minute and continuous attention to the workings of the poem's dazzlingly protean wit, to its multiple, often breathtakingly artful, internal coherences. While the edition does all the usual work a scholarly annotation is expected to do, it is particularly focused on accomplishing what has not been done by previous Marvell scholarship: laying bare every instance of the poem's dynamic wit. In doing so, it, in particular, alerts Marvell's readers to such, for the most part, non-interpretive, aspects of the poem as associative connections operating on the periphery of one's conscious experience, palpable or merely hinted-at wordplay, coexisting multiple syntaxes, and patterns of formal and informal phonic coherence.

Andrew Marvell's 'Upon Appleton House'

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Hardback by Vitaliy Eyber

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This edition provides both professional critics and casual readers with a methodical aid to appreciating what the author believes to... Read more

    Publisher: Fairleigh Dickinson University Press
    Publication Date: 01/12/2009
    ISBN13: 9781611474312, 978-1611474312
    ISBN10: 1611474310

    Number of Pages: 250

    Non Fiction , ELT & Literary Studies , Education

    Description

    This edition provides both professional critics and casual readers with a methodical aid to appreciating what the author believes to be the most aesthetically eventful, unobtrusively playful, and undemanding complex long poem of the English Renaissance. Using line-by-line annotation, the edition strives to pay minute and continuous attention to the workings of the poem's dazzlingly protean wit, to its multiple, often breathtakingly artful, internal coherences. While the edition does all the usual work a scholarly annotation is expected to do, it is particularly focused on accomplishing what has not been done by previous Marvell scholarship: laying bare every instance of the poem's dynamic wit. In doing so, it, in particular, alerts Marvell's readers to such, for the most part, non-interpretive, aspects of the poem as associative connections operating on the periphery of one's conscious experience, palpable or merely hinted-at wordplay, coexisting multiple syntaxes, and patterns of formal and informal phonic coherence.

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