Description

Book Synopsis
'Ancient Rome at the Cinema' is a lucid study of the worlds created in Roman historical epics. Based on analysis of the visual and narrative fabric of seven films set in Ancient Rome, 'Ancient Rome at the Cinema' demonstrates how cinematic versions of Ancient Rome have been able to captivate us, and inscribe their versions of the city and its history onto our imagination. Theodorakopoulos uses film theory and criticism to examine the ways in which historical drama creates the past through story-telling and visual effects. Particular emphasis is put on the tension between narrative and spectacle which is an inherent feature of cinema, and a long-standing preoccupation of film critics and theorists from the 1930s to the present. The book also examines the techniques and the rhetoric of realism which feature especially prominently in historical films. 'Ancient Rome at the Cinema' is a companion volume to 'Ancient Greece in Film and Popular Culture' by Gideon Nisbet (9781904675785, 2008, 2nd edition).

Trade Review
Theodorakopoulos ist eine weitgehend koharente Auseinandersetzung mit wichtigen Erzeugnissen des Antikfilmgenres gelungen, wobei gerade die Heterogenitat der Beispiele aus dem Mainstream-Kino und dem Autorenfilm die Untersuchung bereichert. Durch ein gut strukturiertes Theoriekapitel, in dem die Autorin auf wichtige Theorien zum Medium Film, zum Historienfilm sowie zur Thematik der Metahistorie eingeht, werden die Betrachtungen zu den einzelnen Produktionen gut vorbereitet. Die Bezugnahme auf unterschiedliche Theorien aus den verschiedensten interdisziplinaren Bereichen an der Schnittstelle zwischen Medien- und Geschichtswissenshaften macht diese Publikation auch fur den Einsatz im didaktischen Bereich wertvoll. H-Soz-u-Kult

Table of Contents
  • List of Illustrations vi
  • Introduction 1
  • 1 Narrative and Spectacle, Realism and Illusion, and
  • the Historical Film 9
  • 2 Ben-Hur: ‘Tale of the Christ’ or Tale of Rome? 30
  • 3 Spartacus and the Politics of Story-Telling 51
  • 4 The Fall of the Roman Empire: The Filmmaker as
  • Historian 77
  • 5 Gladiator: Making it New? 96
  • 6 Fellini Satyricon: ‘Farewell to Antiquity’ or ‘Daily
  • Life in Ancient Rome’? 122
  • 7 Titus: Rome and the Penny Arcade 145
  • Conclusion 168
  • Notes 173
  • Further Reading and Viewing 186
  • Bibliography 190
  • Filmography 196
  • Index

Ancient Rome at the Cinema: Story and Spectacle

    Product form

    £29.69

    Includes FREE delivery

    Order before 4pm tomorrow for delivery by Mon 29 Jun 2026.

    A Paperback / softback by Elena Theodorakopoulos

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Ancient Rome at the Cinema: Story and Spectacle by Elena Theodorakopoulos

      Publisher: Liverpool University Press
      Publication Date: 26/08/2010
      ISBN13: 9781904675280, 978-1904675280
      ISBN10: 190467528X

      Description

      Book Synopsis
      'Ancient Rome at the Cinema' is a lucid study of the worlds created in Roman historical epics. Based on analysis of the visual and narrative fabric of seven films set in Ancient Rome, 'Ancient Rome at the Cinema' demonstrates how cinematic versions of Ancient Rome have been able to captivate us, and inscribe their versions of the city and its history onto our imagination. Theodorakopoulos uses film theory and criticism to examine the ways in which historical drama creates the past through story-telling and visual effects. Particular emphasis is put on the tension between narrative and spectacle which is an inherent feature of cinema, and a long-standing preoccupation of film critics and theorists from the 1930s to the present. The book also examines the techniques and the rhetoric of realism which feature especially prominently in historical films. 'Ancient Rome at the Cinema' is a companion volume to 'Ancient Greece in Film and Popular Culture' by Gideon Nisbet (9781904675785, 2008, 2nd edition).

      Trade Review
      Theodorakopoulos ist eine weitgehend koharente Auseinandersetzung mit wichtigen Erzeugnissen des Antikfilmgenres gelungen, wobei gerade die Heterogenitat der Beispiele aus dem Mainstream-Kino und dem Autorenfilm die Untersuchung bereichert. Durch ein gut strukturiertes Theoriekapitel, in dem die Autorin auf wichtige Theorien zum Medium Film, zum Historienfilm sowie zur Thematik der Metahistorie eingeht, werden die Betrachtungen zu den einzelnen Produktionen gut vorbereitet. Die Bezugnahme auf unterschiedliche Theorien aus den verschiedensten interdisziplinaren Bereichen an der Schnittstelle zwischen Medien- und Geschichtswissenshaften macht diese Publikation auch fur den Einsatz im didaktischen Bereich wertvoll. H-Soz-u-Kult

      Table of Contents
      • List of Illustrations vi
      • Introduction 1
      • 1 Narrative and Spectacle, Realism and Illusion, and
      • the Historical Film 9
      • 2 Ben-Hur: ‘Tale of the Christ’ or Tale of Rome? 30
      • 3 Spartacus and the Politics of Story-Telling 51
      • 4 The Fall of the Roman Empire: The Filmmaker as
      • Historian 77
      • 5 Gladiator: Making it New? 96
      • 6 Fellini Satyricon: ‘Farewell to Antiquity’ or ‘Daily
      • Life in Ancient Rome’? 122
      • 7 Titus: Rome and the Penny Arcade 145
      • Conclusion 168
      • Notes 173
      • Further Reading and Viewing 186
      • Bibliography 190
      • Filmography 196
      • Index

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account