Description
Book SynopsisWhen we use the voice, we involve the entire body. Our internal balance, muscular tone, skeletal alignments, soft tissue flexibility, and even our eye movements are reflected in the voice we project to our audience, whether one person or thousands. Using the signature anatomical style of Blandine Calais-Germain's groundbreaking book Anatomy of Movement, this illustrated guide presents a dynamic, integrated study of the physical structures of the vocal tract and their functional relationships to the entire musculoskeletal system. From the individual bones and muscles of the head and neck to the intricate structure of the shoulders to the abdominal muscles and pelvis, the authors explain how each part of the body moves, flexes, vibrates, and supports the creation and individualization of the voice. Whether singer, teacher, actor, lawyer, politician, or workshop leader, this book reveals how understanding your vocal anatomy enables you to express your best voice.
Trade ReviewAnatomy of Voice: How to Enhance and Project Your Best Voice presents the art and science of where the voice comes from and how to harness its power. This book is an invaluable, scientific vocal coach for people who may not have even realized they need a vocal coach. * Foreword Reviews, 2016 *
“This illustrated guide presents a dynamic integrated study of the physical structures of the vocal tract and their functional relationship to the entire musculoskeletal system. With detailed drawings…The book provides simple exercises and techniques for increasing air flow and force, correct posture, position of the tongue, jaw relaxation and toning of the soft palate.” * AZnetnews.com, May 2016 *
Table of ContentsForeword in Three Voices
Preface
Acknowledgments 1. Introduction Some Rules for Describing Movement
The Vocal Apparatus
The Moving Body (Including Static Posture), Breathing Body, and Vocal Body
2. The Skeleton of the Voice The Spine: The Link between the Trunk, Neck, and Head
The Three Major “Blocks”: Pelvis, Rib Cage, Head
The First Major Block: The Pelvis
The Second Major Block: The Rib Cage--the Transformable Block
The Third Major Block: The Head--the Vocal Skull
3. The Generator Introduction
The Two Cavities
The Organs of Respiration and the Surrounding Area
The Muscles of Respiration and the Voice
The Expiratory Muscles: The Muscles That Produce the Vocal Breath
The Inspiratory Muscles
The Postural Muscles: Support for the Generator
4. The Larynx The Larynx: The Source of Voice
The Laryngeal Cartilages
Ligaments and Membranes
The Laryngeal Joints
The Intrinsic Muscles of the Larynx
The Laryngeal Mucosa
The Three Levels of the Larynx
The Extrinsic Muscles of the Larynx
5. The Vocal Tract The Vocal Tract in the Neck
The Pharynx
The Mouth
The Soft Palate
The Tongue
The Lips
The Nose and the Nasal Cavities
The Ears
6. Some Terms Used in the Vocal Professions Matter
Gas and Pressure
From Pressure to Sound
Pitch, Intensity, and Duration of Sound
Timbre
Bibliography
Index
