Description

Book Synopsis
This collection presents intriguing explanations of extraordinary musical creations from across the world, concentrating on how the music works as sound in process.

Trade Review
An interesting sampler of the world's music and practitioners...Recommended. * CHOICE *

Table of Contents
About the Companion Website ; Introduction, John Roeder ; Part I: Analytical Encounters with Music in Diverse Cultures ; 1. Surface and Deep Structure in the Togaku Ensemble of Japanese Court Music (Gagaku). Naoko Terauchi ; 2. Form, Counterpoint, and Meaning in a Fourteenth-Century French Courtly Song. ; Eva Elizabeth Leach ; 3. Nuances of Continual Variation in the Brazilian Pagode Song <"Sorriso Aberto>". ; Jason Stanyek and Fabio Oliveira ; 4. Thelonious Monk's Harmony, Rhythm, and Pianism. Evan Ziporyn and Michael Tenzer ; 5. Dynamics of Melodic Discourse in Indian Music: Budhaditya Mukherjee's ?l?p in R?g P?riy?-Kaly?n. Richard Widdess ; 6. Timbre-and-Form: The BSC and the Boston Improvising Community, Lou Bunk ; 7. Rhythm and Folk Drumming (P'ungmul) as the Musical Embodiment of Communal Consciousness in South Korean Village Society. Nathan Hesselink ; 8. Strophic Form and Asymmetrical Repetition in Four American Indian Songs. ; Victoria Lindsay Levine and Bruno Nettl ; 9. Musical Form and

Analytical and CrossCultural Studies in World Music

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A Paperback by Michael Tenzer, John Roeder

15 in stock


    View other formats and editions of Analytical and CrossCultural Studies in World Music by Michael Tenzer

    Publisher: Oxford University Press
    Publication Date: 11/3/2011 12:00:00 AM
    ISBN13: 9780195384574, 978-0195384574
    ISBN10: 0195384571

    Description

    Book Synopsis
    This collection presents intriguing explanations of extraordinary musical creations from across the world, concentrating on how the music works as sound in process.

    Trade Review
    An interesting sampler of the world's music and practitioners...Recommended. * CHOICE *

    Table of Contents
    About the Companion Website ; Introduction, John Roeder ; Part I: Analytical Encounters with Music in Diverse Cultures ; 1. Surface and Deep Structure in the Togaku Ensemble of Japanese Court Music (Gagaku). Naoko Terauchi ; 2. Form, Counterpoint, and Meaning in a Fourteenth-Century French Courtly Song. ; Eva Elizabeth Leach ; 3. Nuances of Continual Variation in the Brazilian Pagode Song <"Sorriso Aberto>". ; Jason Stanyek and Fabio Oliveira ; 4. Thelonious Monk's Harmony, Rhythm, and Pianism. Evan Ziporyn and Michael Tenzer ; 5. Dynamics of Melodic Discourse in Indian Music: Budhaditya Mukherjee's ?l?p in R?g P?riy?-Kaly?n. Richard Widdess ; 6. Timbre-and-Form: The BSC and the Boston Improvising Community, Lou Bunk ; 7. Rhythm and Folk Drumming (P'ungmul) as the Musical Embodiment of Communal Consciousness in South Korean Village Society. Nathan Hesselink ; 8. Strophic Form and Asymmetrical Repetition in Four American Indian Songs. ; Victoria Lindsay Levine and Bruno Nettl ; 9. Musical Form and

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