Description

Book Synopsis
“In Ana Patova Crosses a Bridge, it’s the sentence that is alive and that is also a kind of architecture or landscape.” —Amina Cain

“Ana Patova Crosses a Bridge is the third volume of Renee Gladman's magnificent, melancholy series about the city-state of Ravicka, or about the architectures of its absence. It is tempting to read the Ravickian books as an extended allegory—of architecture itself, perhaps, except that architecture is already half-allegorical, its every element raised to prefigure whatever meanings can make their way to them. If any can. In Ravicka, meanings—indeed most contact of any kind—remain in abeyance, building, in absentia, the constitutive negative spaces of the narrative. There is a plot; it lays out zones of sheer ambience. Experiences, of which there are many, unfold as a redolent lingering in the structures of immateriality, the radical realities of the insubstantial. Gladman is a phil

Ana Patova Crosses a Bridge

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    A Paperback / softback by Renee Gladman

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      Publisher: Dorothy a Publishing Project
      Publication Date: Publication Date: 01/11/2013
      ISBN13: 9780984469390, 978-0984469390
      ISBN10: 0984469397

      Description

      Book Synopsis
      “In Ana Patova Crosses a Bridge, it’s the sentence that is alive and that is also a kind of architecture or landscape.” —Amina Cain

      “Ana Patova Crosses a Bridge is the third volume of Renee Gladman's magnificent, melancholy series about the city-state of Ravicka, or about the architectures of its absence. It is tempting to read the Ravickian books as an extended allegory—of architecture itself, perhaps, except that architecture is already half-allegorical, its every element raised to prefigure whatever meanings can make their way to them. If any can. In Ravicka, meanings—indeed most contact of any kind—remain in abeyance, building, in absentia, the constitutive negative spaces of the narrative. There is a plot; it lays out zones of sheer ambience. Experiences, of which there are many, unfold as a redolent lingering in the structures of immateriality, the radical realities of the insubstantial. Gladman is a phil

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