Description

Book Synopsis

An Orchestra at My Fingertips is the first study of the history, activities, and legacy of the Canadian Electronic Ensemble. Covering the ensemble’s first fifty years, Alexa Woloshyn features musician biographies as well as analyses of the CEE’s compositions, improvisations, commissions, and performance practice.



Trade Review

An Orchestra at My Fingertips is the definitive biography of this important ensemble. Well-researched and written with great care, the book offers readers a wealth of information that has never before been available to anyone outside of the CEE’s circle of collaborators and close associates. And Woloshyn’s insights and techniques of listening can easily (and usefully) be applied to the CEE’s repertoire and electronic music – indeed any music – in general.” Paul Sanden, University of Lethbridge and author of Liveness in Modern Music: Musicians, Technology, and the Perception of Performance

An Orchestra at My Fingertips

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A Hardback by Alexa Woloshyn

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    View other formats and editions of An Orchestra at My Fingertips by Alexa Woloshyn

    Publisher: McGill-Queen's University Press
    Publication Date: 15/06/2023
    ISBN13: 9780228017332, 978-0228017332
    ISBN10: 0228017335

    Description

    Book Synopsis

    An Orchestra at My Fingertips is the first study of the history, activities, and legacy of the Canadian Electronic Ensemble. Covering the ensemble’s first fifty years, Alexa Woloshyn features musician biographies as well as analyses of the CEE’s compositions, improvisations, commissions, and performance practice.



    Trade Review

    An Orchestra at My Fingertips is the definitive biography of this important ensemble. Well-researched and written with great care, the book offers readers a wealth of information that has never before been available to anyone outside of the CEE’s circle of collaborators and close associates. And Woloshyn’s insights and techniques of listening can easily (and usefully) be applied to the CEE’s repertoire and electronic music – indeed any music – in general.” Paul Sanden, University of Lethbridge and author of Liveness in Modern Music: Musicians, Technology, and the Perception of Performance

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