Description

Book Synopsis

George Chapman is known today as a translator of Homer and as the author of dark tragedies such as Bussy D'Ambois. An Humorous Day's Mirth was one of the most popular plays of the Elizabethan era. Not only was it the Rose Theatre's greatest box-office success of 1597, it also presented an entirely new type of comedy, one that has profoundly influenced comic writing up to the present day.

This play is the English theatre's first 'comedy of humours', in which the attitudes, behaviour, and social pretensions of contemporary men and women are satirised. Charles Edelman's is the first fully annotated, modern spelling edition of this long-neglected play. In his extensive introduction and commentary, Edelman discusses the intellectual, philosophical and theatrical background, and shows that the play would delight the readers and audiences of today as much as those in 1597.



Table of Contents

General editors' preface
Editions and Textual Studies Collated, in Chronological Order
Editions of Early Modern Dramatic Works cited in Commentary
Other Primary Works Cited in Commentary
Secondary Works Cited in Commentary
Abbreviations: Notes and collation
Introduction
The Rose’s New Hit
A Typical London Day
The Philosophy of Mirth
The Four Humours
The Humours and the soul
Melancholy
A Comedy of Manners
From Page to Stage
The Text
Conclusion
An Humorous Day's Mirth
Appendix: Dowsecer's Defence of Cosmetics (7.00-00)

An Humorous Day's Mirth: By George Chapman

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    A Paperback / softback by Charles Edelman

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      View other formats and editions of An Humorous Day's Mirth: By George Chapman by Charles Edelman

      Publisher: Manchester University Press
      Publication Date: 01/06/2017
      ISBN13: 9781526116925, 978-1526116925
      ISBN10: 1526116928

      Description

      Book Synopsis

      George Chapman is known today as a translator of Homer and as the author of dark tragedies such as Bussy D'Ambois. An Humorous Day's Mirth was one of the most popular plays of the Elizabethan era. Not only was it the Rose Theatre's greatest box-office success of 1597, it also presented an entirely new type of comedy, one that has profoundly influenced comic writing up to the present day.

      This play is the English theatre's first 'comedy of humours', in which the attitudes, behaviour, and social pretensions of contemporary men and women are satirised. Charles Edelman's is the first fully annotated, modern spelling edition of this long-neglected play. In his extensive introduction and commentary, Edelman discusses the intellectual, philosophical and theatrical background, and shows that the play would delight the readers and audiences of today as much as those in 1597.



      Table of Contents

      General editors' preface
      Editions and Textual Studies Collated, in Chronological Order
      Editions of Early Modern Dramatic Works cited in Commentary
      Other Primary Works Cited in Commentary
      Secondary Works Cited in Commentary
      Abbreviations: Notes and collation
      Introduction
      The Rose’s New Hit
      A Typical London Day
      The Philosophy of Mirth
      The Four Humours
      The Humours and the soul
      Melancholy
      A Comedy of Manners
      From Page to Stage
      The Text
      Conclusion
      An Humorous Day's Mirth
      Appendix: Dowsecer's Defence of Cosmetics (7.00-00)

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