Description

Book Synopsis

The socio-cultural phenomenon of digital enhancement, that is, the attempt to perfect the subject’s offline life by means of digital media, seduces people into participating in digitalization. Subjects paradoxically want to participate in digital change even though it is well known that digitalization also impairs their freedom and privacy, and this book investigates both the freedom-impairing and the freedom-enhancing aspects of digital enhancement. Sarah Bianchi provides an empirically informed critical aesthetic diagnosis, a perspective that makes the overlooked affect- and power-sensitive Janus face of subjectivity in digital enhancement perceivable: the subjects’ desire to be governed by the logic of perfection—that is, the heart of digital enhancement—and their simultaneous desire for self-government. To this end, An Aesthetic Critique of Digital Enhancement: Government of the Self and Desire makes Foucault’s “history of the present” in its Nietzschean genealogy productive for contemporary critical thought on digital enhancement. Through genealogical critique, this approach provides the needed semantics to question the costs of our digital present and to conceptualize how an enlightened agency might be critically constructed.



Table of Contents

Introduction: On Digital “Re-Evaluation” or What is Digital Enlightenment Today?

Part I: Mapping the Field of Digital Enhancement

Chapter 1. The Enlightenment App Does Not Need to be Invented or What is Digital Enhancement?

Chapter 2. On the Enlightened Gaze or What is Aesthetic Critique?

Part II: The Critical-Theoretical Microanalysis of the Present Digital Time or on the Enlightenment Test

Chapter 3. On Today’s “Serene Asceticism” After Nietzsche

Chapter 4. Knowledge/Power, Affect/Life Formation: On The Affect- and Power-Sensitive Janus Face of Subjectivity in Digital Enhancement after Foucault

Chapter 5. On the De-Reifying Test: The Janus face of Subjectivity in Digital Enhancement in Terms of Affective Imaginary Reification

Part III: When Scenes of Affect-Centered Power Relations can be the Beginning of the Subject’s “Flight”

Chapter 6. Updating the Resources

Chapter 7. The Basic Method: How Enlightened Stumbling Blocks Can Activate An Intrasubjective Communication

Chapter 8. Activating in General: A Procedure of Translation

Chapter 9. Activating Specifically: Realizing that “Flight Is an Option”

Conclusion: Aesthetic Critique of Ourselves: Relationality, Structural Epistemic Discrimination, and Structural Epistemic Anti-Discrimination

An Aesthetic Critique of Digital Enhancement:

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    A Hardback by Sarah Bianchi

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      Publisher: Lexington Books
      Publication Date: 12/09/2023
      ISBN13: 9781666928310, 978-1666928310
      ISBN10: 1666928313

      Description

      Book Synopsis

      The socio-cultural phenomenon of digital enhancement, that is, the attempt to perfect the subject’s offline life by means of digital media, seduces people into participating in digitalization. Subjects paradoxically want to participate in digital change even though it is well known that digitalization also impairs their freedom and privacy, and this book investigates both the freedom-impairing and the freedom-enhancing aspects of digital enhancement. Sarah Bianchi provides an empirically informed critical aesthetic diagnosis, a perspective that makes the overlooked affect- and power-sensitive Janus face of subjectivity in digital enhancement perceivable: the subjects’ desire to be governed by the logic of perfection—that is, the heart of digital enhancement—and their simultaneous desire for self-government. To this end, An Aesthetic Critique of Digital Enhancement: Government of the Self and Desire makes Foucault’s “history of the present” in its Nietzschean genealogy productive for contemporary critical thought on digital enhancement. Through genealogical critique, this approach provides the needed semantics to question the costs of our digital present and to conceptualize how an enlightened agency might be critically constructed.



      Table of Contents

      Introduction: On Digital “Re-Evaluation” or What is Digital Enlightenment Today?

      Part I: Mapping the Field of Digital Enhancement

      Chapter 1. The Enlightenment App Does Not Need to be Invented or What is Digital Enhancement?

      Chapter 2. On the Enlightened Gaze or What is Aesthetic Critique?

      Part II: The Critical-Theoretical Microanalysis of the Present Digital Time or on the Enlightenment Test

      Chapter 3. On Today’s “Serene Asceticism” After Nietzsche

      Chapter 4. Knowledge/Power, Affect/Life Formation: On The Affect- and Power-Sensitive Janus Face of Subjectivity in Digital Enhancement after Foucault

      Chapter 5. On the De-Reifying Test: The Janus face of Subjectivity in Digital Enhancement in Terms of Affective Imaginary Reification

      Part III: When Scenes of Affect-Centered Power Relations can be the Beginning of the Subject’s “Flight”

      Chapter 6. Updating the Resources

      Chapter 7. The Basic Method: How Enlightened Stumbling Blocks Can Activate An Intrasubjective Communication

      Chapter 8. Activating in General: A Procedure of Translation

      Chapter 9. Activating Specifically: Realizing that “Flight Is an Option”

      Conclusion: Aesthetic Critique of Ourselves: Relationality, Structural Epistemic Discrimination, and Structural Epistemic Anti-Discrimination

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