Description

Funny happenings.

The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences ca. 205–184 BC, are the earliest Latin works to survive complete and are cornerstones of the European theatrical tradition from Shakespeare and Molière to modern times. This first volume of a new Loeb edition of all twenty-one of Plautus’ extant comedies presents Amphitruo, Asinaria, Aulularia, Bacchides, and Captivi with freshly edited texts, lively modern translations, and ample explanatory notes. Accompanying the plays is a detailed introduction to Plautus’ œuvre as a whole, discussing his techniques of translation and adaptation, his use of Roman humor, stage conventions, language and meter, and his impact on the Greco-Roman comedic theater and beyond.

Amphitryon. The Comedy of Asses. The Pot of Gold. The Two Bacchises. The Captives

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£24.95

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Hardback by Plautus , Wolfgang de Melo

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Short Description:

Funny happenings.The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences ca. 205–184 BC, are the earliest... Read more

    Publisher: Harvard University Press
    Publication Date: 05/01/2011
    ISBN13: 9780674996533, 978-0674996533
    ISBN10: 0674996534

    Number of Pages: 768

    Non Fiction , ELT & Literary Studies , Education

    Description

    Funny happenings.

    The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences ca. 205–184 BC, are the earliest Latin works to survive complete and are cornerstones of the European theatrical tradition from Shakespeare and Molière to modern times. This first volume of a new Loeb edition of all twenty-one of Plautus’ extant comedies presents Amphitruo, Asinaria, Aulularia, Bacchides, and Captivi with freshly edited texts, lively modern translations, and ample explanatory notes. Accompanying the plays is a detailed introduction to Plautus’ œuvre as a whole, discussing his techniques of translation and adaptation, his use of Roman humor, stage conventions, language and meter, and his impact on the Greco-Roman comedic theater and beyond.

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