Description

Book Synopsis
A critical companion to the most celebrated music documentaries of the twentieth century

Table of Contents
List of Illustrations Acknowledgments Introduction Where Is the Music? What Is the Music?: Albert Maysles, Gimme Shelter (1970) Representing the Margins and Underrepresenting the Real: Jill Godmilow, Antonia: A Portrait of the Woman (1974) The Use and Abuse of Musicological Concepts: Shirley Clarke, Ornette: Made in America (1985) The Theater of Mass Culture: D. A. Pennebaker and Chris Hegedus, Depeche Mode: 101 (1988) Cinematic Dub and the Multitude: Jem Cohen and Fugazi, Instrument (1999) Epilogue: Toward a Ciné-Ethnomusicology Appendix A: Extended Music Filmography Appendix B: Cited Interviews and Archival Material Appendix C: Glossary of Terms: Sounds, Shots, and Editing Techniques Notes Works Cited Index

American Music Documentary

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    A Paperback / softback by Benjamin J. Harbert

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      Publisher: Wesleyan University Press
      Publication Date: Publication Date: 05/07/2018
      ISBN13: 9780819578013, 978-0819578013
      ISBN10: 0819578010

      Description

      Book Synopsis
      A critical companion to the most celebrated music documentaries of the twentieth century

      Table of Contents
      List of Illustrations Acknowledgments Introduction Where Is the Music? What Is the Music?: Albert Maysles, Gimme Shelter (1970) Representing the Margins and Underrepresenting the Real: Jill Godmilow, Antonia: A Portrait of the Woman (1974) The Use and Abuse of Musicological Concepts: Shirley Clarke, Ornette: Made in America (1985) The Theater of Mass Culture: D. A. Pennebaker and Chris Hegedus, Depeche Mode: 101 (1988) Cinematic Dub and the Multitude: Jem Cohen and Fugazi, Instrument (1999) Epilogue: Toward a Ciné-Ethnomusicology Appendix A: Extended Music Filmography Appendix B: Cited Interviews and Archival Material Appendix C: Glossary of Terms: Sounds, Shots, and Editing Techniques Notes Works Cited Index

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