Description
Book SynopsisThe book collects Pizer’s late career essays on various writers and subjects related to American naturalism. Of these, two seek to describe the movement as a whole, six are on specific writers or works (with an emphasis on Theodore Dreiser), and two reprint informative interviews by Pizer on the subject. The essays reflect Pizer’s mature engagement of the subject he has spent a lifetime exploring.
Trade ReviewDonald Pizer has been the premier scholar in the field of American literary naturalism for the past half century or more. This compilation of his essays on the topic belongs on the shelf of every research library and every Americanist who specializes in late-nineteenth and early-twentieth century literature.” — Gary Scharnhorst, Distinguished Professor Emeritus of English, University of New Mexico
Beginning with his early work in the 1960s, Donald Pizer has redefined the field of American literary naturalism. In these late essays, Pizer provides an essential primer on what naturalism is and does; reveals the evolution of his thinking on twentieth-century naturalist writers such as Dos Passos, Dreiser, and Mailer; and demonstrates how to read—and, he argues, how not to read—Jack London's classic short story "To Build a Fire." In interviews and in his account of his career as a scholar of naturalism, Pizer speaks more forcefully about his ideas on naturalism than is possible in academic criticism, making this volume an indispensable companion to the study of naturalism. — Donna M. Campbell, Lewis E. and Stella G. Buchanan Distinguished Professor, Professor and Director of Graduate Studies, Washington State University
American Literary Naturalism: Late Essays is the latest of Donald Pizer’s gatherings of his uncollected essays. This fine collection of essays—cogent, lucidly written, compelling in insight—reminds us of why Donald Pizer is the preeminent scholar of American literary naturalism. —Keith Newlin, University of North Carolina Wilmington
Table of ContentsPreface; Acknowledgments; Part I. General Essays; 1. American Naturalism: A Primer; 2. Critical Conceptions of American Realism and Naturalism, 1870–1970; Part II. Specific Writers and Works; 3. Naturalism and the Visual Arts: Dreiser, Crane, and Steinbeck; 4. Jack London’s “To Build a Fire”: How Not to Read Naturalist Fiction; 5. Norman Mailer, Theodore Dreiser, and the Politics of American Literary History; 6. John Dos Passos and Harlan: Three Variations on a Theme; 7. Theodore Dreiser’s An American Tragedy and 1920s; Flapper Culture; 8. Dreiser’s Relationships with Women; Part III. Donald Pizer and the Study of American Naturalism; 9. The Study of American Naturalism: A Personal Retrospective; 10. Stephen C. Brennan: Interview with Donald Pizer; Index.
