Description

Book Synopsis
Along the way, he touches upon a wide range of topics that fascinated people of the day, including the journey to the source of the Nile and ideas about the origin of language.

Table of Contents

Preface
Part I: Emerson, Thoreau, and Whitman
Chapter 1. Champollion and the Historical Background; Emerson's Hieroglyphical Emblems
Chapter 2. Thoreau: The Single, Basic Form — Patenting a Leaf
Chapter 3. Whitman: Hieroglyphic Bibles and Phallic Songs
Part II: Poe
Chapter 4. The Hieroglyphics and the Quest for Origins: The Myth of Hieroglyphic Doubling
Chapter 5. Ends and Origins: The Voyage to the Polar Abyss and the Journey to the Source of the Nile; The Survival of the Manuscript
Chapter 6. Certainty and Credibility — Self-Evidence and Self-Reference; Nietzsche and Tragedy — Whitman and Opera; The Open Road
Chapter 7. Writing Self / Written Self; The Dark Double; The Overwhelming of the Vessel
Chapter 8. Cannibalism and Sacrifice; Metaphors of the Body — Transfiguration, Transubstantiation, Resurrection, and Ascension
Chapter 9. Narcissus and the Illusion of Depth
Chapter 10. Self-Recognition; Deciphering a Mnemic Inscription; Historical Amnesia and Personal Anamnesis
Chapter 11. Repetition; Symbolic Death and Rebirth; The Infinite and Indefinite; The Mechanism of Foreshadowing
Chapter 12. The Unfinished Narrative; The Cavern Inscription on Tsalal; Survival in an Image
Chapter 13. The White Shadow; Imaging the Indefinite; Reading the Spirit from the Letter; The Finality of Revenge; The Alogical Status of the Self
Chapter 14. The Return to Oneness; Breaking the Crypt; The Limits of Interpretation; The Ultimate Certainty
Part III: Hawthorne and Melville
Chapter 15. Hawthorne: The Ambiguity of the Hieroglyphics; The Unstable Self and Its Roles; Mirror Image and Phonetic Veil; The Feminine Role of the Artist; Veil and Phallus; The Book as Partial Object
Chapter 16. Melville: The Indeterminate Ground; A Conjunction of Fountain and Vortex; The Myth of Isis and Osiris; Master Oppositions; The Doubleness of the Self and the Illusion of Consistent Character; Dionysus and Apollo; Mask and Phallus; The Chain of Partial Objects
Epilogue
Notes
Index

American Hieroglyphics

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    A Paperback / softback by John T. Irwin

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      Publisher: Johns Hopkins University Press
      Publication Date: 10/11/2016
      ISBN13: 9781421421155, 978-1421421155
      ISBN10: 1421421151

      Description

      Book Synopsis
      Along the way, he touches upon a wide range of topics that fascinated people of the day, including the journey to the source of the Nile and ideas about the origin of language.

      Table of Contents

      Preface
      Part I: Emerson, Thoreau, and Whitman
      Chapter 1. Champollion and the Historical Background; Emerson's Hieroglyphical Emblems
      Chapter 2. Thoreau: The Single, Basic Form — Patenting a Leaf
      Chapter 3. Whitman: Hieroglyphic Bibles and Phallic Songs
      Part II: Poe
      Chapter 4. The Hieroglyphics and the Quest for Origins: The Myth of Hieroglyphic Doubling
      Chapter 5. Ends and Origins: The Voyage to the Polar Abyss and the Journey to the Source of the Nile; The Survival of the Manuscript
      Chapter 6. Certainty and Credibility — Self-Evidence and Self-Reference; Nietzsche and Tragedy — Whitman and Opera; The Open Road
      Chapter 7. Writing Self / Written Self; The Dark Double; The Overwhelming of the Vessel
      Chapter 8. Cannibalism and Sacrifice; Metaphors of the Body — Transfiguration, Transubstantiation, Resurrection, and Ascension
      Chapter 9. Narcissus and the Illusion of Depth
      Chapter 10. Self-Recognition; Deciphering a Mnemic Inscription; Historical Amnesia and Personal Anamnesis
      Chapter 11. Repetition; Symbolic Death and Rebirth; The Infinite and Indefinite; The Mechanism of Foreshadowing
      Chapter 12. The Unfinished Narrative; The Cavern Inscription on Tsalal; Survival in an Image
      Chapter 13. The White Shadow; Imaging the Indefinite; Reading the Spirit from the Letter; The Finality of Revenge; The Alogical Status of the Self
      Chapter 14. The Return to Oneness; Breaking the Crypt; The Limits of Interpretation; The Ultimate Certainty
      Part III: Hawthorne and Melville
      Chapter 15. Hawthorne: The Ambiguity of the Hieroglyphics; The Unstable Self and Its Roles; Mirror Image and Phonetic Veil; The Feminine Role of the Artist; Veil and Phallus; The Book as Partial Object
      Chapter 16. Melville: The Indeterminate Ground; A Conjunction of Fountain and Vortex; The Myth of Isis and Osiris; Master Oppositions; The Doubleness of the Self and the Illusion of Consistent Character; Dionysus and Apollo; Mask and Phallus; The Chain of Partial Objects
      Epilogue
      Notes
      Index

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