Description

Book Synopsis
This first major retrospective of Amalia Mesa-Bains unearths her significant contributions to Chicanx/Latinx art and feminism. Best known for her pioneering altar installations, Amalia Mesa-Bains is one of the most innovative feminist and Latinx artists of her generation. In herforty-year career as an artist, activist, educator, and scholar, she has explored theexperiences, spiritual practices, and histories of Mexican American women andaddressed the colonial erasure and recovery of Mexican, African American, andIndigenous Californians. Appropriately called an archaeological practice, Mesa-Bains's art creates sacred spaces imbued with cultural memory, leading viewers on amagical journey of discovery through what might otherwise be lost to existing canons ofhistory. Amalia Mesa-Bains: The Archaeology of Memoryis the exhibition catalog accompanying the first major retrospective of her work, bringing her installations from the 1970s tothe present together for the first time. Featuring an essay by the artist and an interviewwith her, the book also brings together top-tier scholars who explore the ecofeminism, migranthistories, spirituality, and politics of erasure that ground her interdisciplinary practice. As a whole, the book cements Mesa-Bains's place as atrailblazing artist within the history of art. Published in association with the Berkeley Art Museum and Pacific Film Archive. Exhibition dates: Berkeley Art Museum and Pacific Film Archive: February 4-August 13, 2023 Phoenix Art Museum: November 2023-March 2024 El Museo del Barrio, New York City: April 2024-August 2024 San Antonio Art Museum: October 2024-January 2025 Cheech Marin Center for Chicano Arts and Culture, Riverside, CA: March 2025-August 2025

Table of Contents
Contents

Director's Foreword
Juli Rodrigues Widholm

Acknowledgments
Laura E. Perez and Maria Esther Fernandez

Chapter 1
Amalia Mesa-Bains: Storytelling and the Archaeology of Memory
Maria Esther Fernandez

Chapter 2
Archaeology of the Immaterial: Absence and Presence in the Installations of Amalia Mesa-Bains
Laura E. Perez

Chapter 3
Sixty Objects in My Art Life
Amalia Mesa-Bains

Plates

Chapter 4
In Conversation: Amalia Mesa-Bains's Feminisms
Lowery Stokes Sims

Chapter 5
Unruly Erotic
Jennifer A. Gonzales

Plates

Chapter 6
Flowers and Songs: Memory, Nature, and the Empowered Feminine in the Prints and Books of Amalia Mesa-Bains
Adrianna Zavala

Chapter 7
The Latino Wunderkammer
Tomas Ybarra-Frausto

Plates

Chronology
Exhibition History
Selected Bibliography
Essay Bibliographies
Works in the Exhibition
Contributors

Amalia MesaBains

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    A Hardback by Laura E. Pérez, Maria Esther Fernández

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      Publisher: University of California Press
      Publication Date: 24/01/2023
      ISBN13: 9780520395718, 978-0520395718
      ISBN10: 0520395719

      Description

      Book Synopsis
      This first major retrospective of Amalia Mesa-Bains unearths her significant contributions to Chicanx/Latinx art and feminism. Best known for her pioneering altar installations, Amalia Mesa-Bains is one of the most innovative feminist and Latinx artists of her generation. In herforty-year career as an artist, activist, educator, and scholar, she has explored theexperiences, spiritual practices, and histories of Mexican American women andaddressed the colonial erasure and recovery of Mexican, African American, andIndigenous Californians. Appropriately called an archaeological practice, Mesa-Bains's art creates sacred spaces imbued with cultural memory, leading viewers on amagical journey of discovery through what might otherwise be lost to existing canons ofhistory. Amalia Mesa-Bains: The Archaeology of Memoryis the exhibition catalog accompanying the first major retrospective of her work, bringing her installations from the 1970s tothe present together for the first time. Featuring an essay by the artist and an interviewwith her, the book also brings together top-tier scholars who explore the ecofeminism, migranthistories, spirituality, and politics of erasure that ground her interdisciplinary practice. As a whole, the book cements Mesa-Bains's place as atrailblazing artist within the history of art. Published in association with the Berkeley Art Museum and Pacific Film Archive. Exhibition dates: Berkeley Art Museum and Pacific Film Archive: February 4-August 13, 2023 Phoenix Art Museum: November 2023-March 2024 El Museo del Barrio, New York City: April 2024-August 2024 San Antonio Art Museum: October 2024-January 2025 Cheech Marin Center for Chicano Arts and Culture, Riverside, CA: March 2025-August 2025

      Table of Contents
      Contents

      Director's Foreword
      Juli Rodrigues Widholm

      Acknowledgments
      Laura E. Perez and Maria Esther Fernandez

      Chapter 1
      Amalia Mesa-Bains: Storytelling and the Archaeology of Memory
      Maria Esther Fernandez

      Chapter 2
      Archaeology of the Immaterial: Absence and Presence in the Installations of Amalia Mesa-Bains
      Laura E. Perez

      Chapter 3
      Sixty Objects in My Art Life
      Amalia Mesa-Bains

      Plates

      Chapter 4
      In Conversation: Amalia Mesa-Bains's Feminisms
      Lowery Stokes Sims

      Chapter 5
      Unruly Erotic
      Jennifer A. Gonzales

      Plates

      Chapter 6
      Flowers and Songs: Memory, Nature, and the Empowered Feminine in the Prints and Books of Amalia Mesa-Bains
      Adrianna Zavala

      Chapter 7
      The Latino Wunderkammer
      Tomas Ybarra-Frausto

      Plates

      Chronology
      Exhibition History
      Selected Bibliography
      Essay Bibliographies
      Works in the Exhibition
      Contributors

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