Description

Book Synopsis

Alternative Comedy Now and Then: Critical Perspectives is the first academic collection focusing on the history and legacy of the alternative comedy movement in Britain that began in 1979 and continues to influence contemporary stand-up comedy. The collection examines the contexts, performances and reception of alternative comedy in order to provide a holistic approach to examining the socio-political impact and significance of alternative comedy from its historical roots through to present day performances. As alternative comedy celebrated its 40th anniversary in 2019, critically reflecting on its impact and significance is a timely endeavour. The book adopts a distinctive interdisciplinary approach, synthesizing theory, concepts and methodologies from comedy studies, theatre and performance, communication and media studies, sociology, political sciences and anthropology. This approach is taken in order to fully understand and examine the dynamics and nuances of the alternative comedy movement which would not be possible with a single-discipline approach.




Table of Contents

Chapter 1: Alternative Comedy Now and Then: An Introduction - Oliver Double and Sharon Lockyer

Chapter 2: Alternative Comedy Timeline

Part One: Alternative Comedy Venues

Chapter 3: The Meccano Club: The Business of Alternative Comedy - Oliver Double

Chapter 4: ‘A Local Show for Local People: Alternative Cabaret at the Tower Art Centre, Winchester, UK, 1981-1984 – Richard Cumin

Chapter 5: The Story of Cabaret A Go Go – Ray Campbell

Part Two: Performers’ Perspectives

Chapter 6: Trends with Benefits: Brian Mulligan

Chapter 7: Alternative Cabaret in Conversation – Oliver Double, Andy de la Tour, Jim Barclay, Pauline Melville and Tony Allen

Part Three: Interpreting Alternative Comedy

Chapter 8: Pressing for no change? Political Correctness, the defence of the ‘mainstream’ and class in UK newspaper responses to the emergence of ‘Alternative Comedy’ - Neil Washbourne

Chapter 9: The Dramatic Script of Alternative Comedy – Jonjo Brady

Part Four: Alternative Comedy Today

Chapter 10: Alternative Comedy in Finland: Juhani Nevalainen, Musician Not Comedian – Marianna Keisalo

Chapter 11: “Less Dick Jokes”: Women-only comedy line-ups, audience expectations and negotiating stereotypes – Ellie Tomsett

Chapter 12: New Alternative Comedy: Productive Crises c.2005-Present – Sophie Quirk and Ed Wilson

Alternative Comedy Now and Then: Critical

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A Hardback by Oliver Double, Sharon Lockyer

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    View other formats and editions of Alternative Comedy Now and Then: Critical by Oliver Double

    Publisher: Springer Nature Switzerland AG
    Publication Date: 06/10/2022
    ISBN13: 9783030973506, 978-3030973506
    ISBN10: 3030973506

    Description

    Book Synopsis

    Alternative Comedy Now and Then: Critical Perspectives is the first academic collection focusing on the history and legacy of the alternative comedy movement in Britain that began in 1979 and continues to influence contemporary stand-up comedy. The collection examines the contexts, performances and reception of alternative comedy in order to provide a holistic approach to examining the socio-political impact and significance of alternative comedy from its historical roots through to present day performances. As alternative comedy celebrated its 40th anniversary in 2019, critically reflecting on its impact and significance is a timely endeavour. The book adopts a distinctive interdisciplinary approach, synthesizing theory, concepts and methodologies from comedy studies, theatre and performance, communication and media studies, sociology, political sciences and anthropology. This approach is taken in order to fully understand and examine the dynamics and nuances of the alternative comedy movement which would not be possible with a single-discipline approach.




    Table of Contents

    Chapter 1: Alternative Comedy Now and Then: An Introduction - Oliver Double and Sharon Lockyer

    Chapter 2: Alternative Comedy Timeline

    Part One: Alternative Comedy Venues

    Chapter 3: The Meccano Club: The Business of Alternative Comedy - Oliver Double

    Chapter 4: ‘A Local Show for Local People: Alternative Cabaret at the Tower Art Centre, Winchester, UK, 1981-1984 – Richard Cumin

    Chapter 5: The Story of Cabaret A Go Go – Ray Campbell

    Part Two: Performers’ Perspectives

    Chapter 6: Trends with Benefits: Brian Mulligan

    Chapter 7: Alternative Cabaret in Conversation – Oliver Double, Andy de la Tour, Jim Barclay, Pauline Melville and Tony Allen

    Part Three: Interpreting Alternative Comedy

    Chapter 8: Pressing for no change? Political Correctness, the defence of the ‘mainstream’ and class in UK newspaper responses to the emergence of ‘Alternative Comedy’ - Neil Washbourne

    Chapter 9: The Dramatic Script of Alternative Comedy – Jonjo Brady

    Part Four: Alternative Comedy Today

    Chapter 10: Alternative Comedy in Finland: Juhani Nevalainen, Musician Not Comedian – Marianna Keisalo

    Chapter 11: “Less Dick Jokes”: Women-only comedy line-ups, audience expectations and negotiating stereotypes – Ellie Tomsett

    Chapter 12: New Alternative Comedy: Productive Crises c.2005-Present – Sophie Quirk and Ed Wilson

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