Description

Book Synopsis


Trade Review

Worth a read for Brahms devotees, even those without advanced music theory knowledge. . . . Recommended.

* Choice *

This is a wonderfully musical book with many valuable insights (and many generously long music examples). It will be useful to Brahms scholars, of course, but also to those who study music from roughly 1780 to the early twentieth century.

* Notes *

Table of Contents

Acknowledgements
List of Musical Instrument Abbreviations
Introduction
1. The Notion of Allusion as Narrative Premise in Brahms's Instrumental Music
2. Lovelorn Lamentation, or Histrionic Historicism?: Re-Examining Allusion and Extramusical Meaning in the B-Major Piano Trio, op. 8
3. Musical Memory and the D-Major Serenade, op. 11
4. An Historical Model, an Emerging Soloist, a Young Composer in Turmoil: The Piano Concerto in D Minor, op. 15
5. A Later Example: Tragic Antiquarianism in Brahms's Fourth Symphony
Conclusion
Selected Bibliography
Index

Allusion as Narrative Premise in Brahmss

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    A Paperback / softback by Jacquelyn E. C. Sholes

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      View other formats and editions of Allusion as Narrative Premise in Brahmss by Jacquelyn E. C. Sholes

      Publisher: Indiana University Press
      Publication Date: 24/05/2018
      ISBN13: 9780253033154, 978-0253033154
      ISBN10: 0253033152
      Also in:
      Art music, orchestral and formal music

      Description

      Book Synopsis


      Trade Review

      Worth a read for Brahms devotees, even those without advanced music theory knowledge. . . . Recommended.

      * Choice *

      This is a wonderfully musical book with many valuable insights (and many generously long music examples). It will be useful to Brahms scholars, of course, but also to those who study music from roughly 1780 to the early twentieth century.

      * Notes *

      Table of Contents

      Acknowledgements
      List of Musical Instrument Abbreviations
      Introduction
      1. The Notion of Allusion as Narrative Premise in Brahms's Instrumental Music
      2. Lovelorn Lamentation, or Histrionic Historicism?: Re-Examining Allusion and Extramusical Meaning in the B-Major Piano Trio, op. 8
      3. Musical Memory and the D-Major Serenade, op. 11
      4. An Historical Model, an Emerging Soloist, a Young Composer in Turmoil: The Piano Concerto in D Minor, op. 15
      5. A Later Example: Tragic Antiquarianism in Brahms's Fourth Symphony
      Conclusion
      Selected Bibliography
      Index

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