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Book Synopsis
In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify.

Trade Review
“A brilliant and much-needed book relevant to debates in art andperformance away from hackneyed Western European/American ideasof neoliberalism and late capitalism—or the tendency to ignore shifts inpolitical and economic structures altogether while mystifying trends inart. One of the most rigorous and original books on performance. . . .In a way that few academic books achieve, it movingly weaves personalhistory with incisively theorized political, economic, and art/performancehistories.” - Amelia Jones, McGill University

Alienation Effects

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    Order before 4pm today for delivery by Fri 26 Jun 2026.

    A Hardback by Branislav Jakovljevi?

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      Publisher: The University of Michigan Press
      Publication Date: 6/13/2016 12:00:00 AM
      ISBN13: 9780472073146, 978-0472073146
      ISBN10: 0472073141

      Description

      Book Synopsis
      In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify.

      Trade Review
      “A brilliant and much-needed book relevant to debates in art andperformance away from hackneyed Western European/American ideasof neoliberalism and late capitalism—or the tendency to ignore shifts inpolitical and economic structures altogether while mystifying trends inart. One of the most rigorous and original books on performance. . . .In a way that few academic books achieve, it movingly weaves personalhistory with incisively theorized political, economic, and art/performancehistories.” - Amelia Jones, McGill University

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