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Book Synopsis

The Revengers'' Comedies
A hugely entertaining pitch that recalls the old movies to which it frequently pays homage - Strangers on a Train, Rebecca, Kind Hearts and Coronets - and expands after intermission to reveal an immensely disturbing vision of contemporary middle-class England poisoned by the rise of economic ruthlessness and the collapse of ethics. New York Times

Things We Do for Love
Lloyds Private Banking Playwright of the Year Award
One of his best, his most shockingly and uproariously funny: a cruel and hilarious masterpiece of tragic comedy and comic tragedy. Sunday Times

House & Garden
The triumph of his ingenuity lies in the fact that you have to see both plays . . . A second time round, in whichever order you take them, characters will deepen, while those you know become the background. It is a superb Ayckbourn joke that a comedy about non-communication should depend on the shar

Alan Ayckbourn Plays 4

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    RRP £16.99 – you save £1.70 (10%)

    Order before 4pm tomorrow for delivery by Fri 19 Jun 2026.

    A Paperback / softback by Alan Ayckbourn

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      View other formats and editions of Alan Ayckbourn Plays 4 by Alan Ayckbourn

      Publisher: Faber & Faber
      Publication Date: 06/10/2011
      ISBN13: 9780571274611, 978-0571274611
      ISBN10: 0571274617

      Description

      Book Synopsis

      The Revengers'' Comedies
      A hugely entertaining pitch that recalls the old movies to which it frequently pays homage - Strangers on a Train, Rebecca, Kind Hearts and Coronets - and expands after intermission to reveal an immensely disturbing vision of contemporary middle-class England poisoned by the rise of economic ruthlessness and the collapse of ethics. New York Times

      Things We Do for Love
      Lloyds Private Banking Playwright of the Year Award
      One of his best, his most shockingly and uproariously funny: a cruel and hilarious masterpiece of tragic comedy and comic tragedy. Sunday Times

      House & Garden
      The triumph of his ingenuity lies in the fact that you have to see both plays . . . A second time round, in whichever order you take them, characters will deepen, while those you know become the background. It is a superb Ayckbourn joke that a comedy about non-communication should depend on the shar

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