Description

Pam Wedgwood's After Hours For Trumpet And Piano presents eight atmospheric, original pieces for the intermediate trumpet player with piano accompaniment. They are ideal for teacher or pupil and provide a perfect follow-on for those that have used and enjoyed Pam’s highly acclaimed Jazzin’ About Series.

The book contains piano accompaniments, but for extra sophistication downloadable online audio of backing tracks is also available. Each piece within the collection has two different backing tracks: the first (full performance) includes the backing track along with the instrumental melody; the second (backing only) presents the backing track alone. The full performance track is provided to help the player to the learn the melody and its interaction with the accompaniment; the melody is played on a marimba to avoid dominating the acoustic ‘live’ instrument for those players who choose to play along with this version of the backing.

After Hours For Trumpet And Piano

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Sheet music by Pam Wedgwood

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Short Description:

Pam Wedgwood's After Hours For Trumpet And Piano presents eight atmospheric, original pieces for the intermediate trumpet player with piano... Read more

    Publisher: Faber Music Ltd
    Publication Date: 21/10/2004
    ISBN13: 9780571522682, 978-0571522682
    ISBN10: 0571522688

    Number of Pages: 32

    Non Fiction , Entertainment

    Description

    Pam Wedgwood's After Hours For Trumpet And Piano presents eight atmospheric, original pieces for the intermediate trumpet player with piano accompaniment. They are ideal for teacher or pupil and provide a perfect follow-on for those that have used and enjoyed Pam’s highly acclaimed Jazzin’ About Series.

    The book contains piano accompaniments, but for extra sophistication downloadable online audio of backing tracks is also available. Each piece within the collection has two different backing tracks: the first (full performance) includes the backing track along with the instrumental melody; the second (backing only) presents the backing track alone. The full performance track is provided to help the player to the learn the melody and its interaction with the accompaniment; the melody is played on a marimba to avoid dominating the acoustic ‘live’ instrument for those players who choose to play along with this version of the backing.

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