Description

Book Synopsis

Afrofuturism in Black Panther: Gender, Identity, and the Re-making of Blackness, through an interdisciplinary and intersectional analysis of Black Panther, discusses the importance of superheroes and the ways in which they are especially important to Black fans. Aside from its global box office success, Black Panther paves the way for future superhero narratives due to its underlying philosophy to base the story on a narrative that is reliant on Afro-futurism. The film’s storyline, the book posits, leads viewers to think about relevant real-world social questions as it taps into the cultural zeitgeist in an indelible way. Contributors to this collection approach Black Panther not only as a film, but also as Afrofuturist imaginings of an African nation untouched by colonialism and antiblack racism: the film is a map to alternate states of being, an introduction to the African Diaspora, a treatise on liberation and racial justice, and an examination of identity. As they analyze each of these components, contributors pose the question: how can a film invite a reimagining of Blackness?



Trade Review

This remarkable collection examines the complexities, power and significance of Afrofuturism in Black Panther from a wide range of highly pertinent perspectives, revealing the film's importance as both a piece of cinema and as a pointed intervention into cultural, social and political histories of representation. The editors have brought together a rich collection of rigorous and illuminating contributions, making this the key reference work on this ground-breaking film.

-- Lisa Purse, University of Reading

A rich and enticing book that offers multiple perspectives on a genuine cultural phenomenon. A must read for anyone interested in Black Panther and the politics of contemporary US popular culture.

-- Hervé Mayer, Paul Valéry University Montpellier 3

Featuring reflections by filmmakers, artists, fans, and scholars across disciplines and around the world, this book is more than just a resource for a critical reading of Black Panther; it is a veritable tome of the different threads present within this ever-evolving film. Superhero and fantasy films have an important role in producing and commenting on culture: they take us out of reality while helping us critically dissect the patterns of reality. This phenomenon is complicated but necessary, and each chapter methodically guides the reader through a different facet of media, identity, history, and reception, encouraging them to return to the film to watch it again with new knowledge and a new perspective.

-- Charisse L'Pree Corsbie-Massay, Syracuse University

Evidence that Black Panther hit a raw nerve rests in this serious treatment of the copious topics instigated by this afrofuturistic superhero film. Praise for this collection of essays for the far-reaching implications the authors suggest for the study of Black Panther as an interrogation of the multibillion dollar industry that produced it and the state of the human condition for which the film serves as window and mirror. Afrofuturism in Black Panther: Gender, Identity, and the Re-making of Blackness explores why Black Panther is not merely an important film that you have to see just because it seemingly replaces the Hollywood white superhero with a black superhero, but why it’s a film we want to see as it centers black governance, black feminism and black culture within the convergence of global politics and technology in the context of real histories of enslavement, colonization, apartheid, racism and discrimination. The essays invoke the persistence of vision of black filmmakers, writers, actors, designers, scholars and spectators who expertly employ the master’s tools to re-imagine. An essential text for the study of Black Panther.

-- Roxana Walker-Canton, University of Florida

Renée T. White’s & Karen A. Ritzenhoff’s book is a tour-de-force about the highly popular Marvel comic and its film adaptation. The impressive assemblage of contributors boldly theorizes concepts of Black identity, queer erasure, counter-colonialism dignity, Afrofuturism, and Black utopian visions that are celebratory and critical. This work is a page-turning essential read for academics, popular culture, and science fiction enthusiasts who seek to have their assumptions and principles about Black Panther challenged while exploring new historical, symbolic, and pedagogical frameworks on various dimensions of Blackness.

-- Alexia Hudson-Ward, Associate Director of Research and Learning, MIT Libraries

Table of Contents

Preface

Zeinabu irene Davis

Chapter 1: I Dream a World: Black Panther and the Re-Making of Blackness

Renée T. White

Chapter 2: The Power in Numbers: Ensemble Stunt Performance in Black Panther and Histories of Practice

Lauren Steiner

Chapter 3: From Expressivity to Equanimity: New Black Action in Black Panther

Wayne Wong

Chapter 4: Paid the Cost to be the Boss: Chadwick Boseman, Black Panther, and the Future of the Black Biopic

Mikal J. Gaines

Chapter 5: Let Ayo Have a Girlfriend: Resisting Black Lesbian Erasure on Twitter

Sarah E. S. Sinwell

Chapter 6: “Tell Me a Story Baba”: Black Panther and Wakanda’s Foreign Policy in the Age of Neo-liberalism

Clarence Lusane

Chapter 7: The Underground Railroads as Afrofuturism: Enslaved Blacks that Imagined Freedom, Future, and Space

dann j. Broyld

Chapter 8: The Evolution of Dora Milaje: Wakanda’s Greatest Warriors in Comics and Film

Josh Truelove

Chapter 9: “The Prince Will Now Have the Strength of the Black Panther Stripped Away”: Reading Disability and Queerness in Killmonger

Dominique Young

Chapter 10: Only When She Wants To: Code-Switching in Black Panther

Paul Moffet

Chapter 11: The Dore Milaje in Real Life: A Continuing Legacy of African Warriors

Myron T. Strong, K. Sean Chaplin, and Giselle Greenidge

Chapter 12: Echoes of the History of Black Utopian Visions, “Black Manhod,” and Black Feminism in the Making of Black Panther

Dolita Cathcart

Chapter 13: Tradition, Purpose, and Technology: An Archaeological Take on the Role of Technological Progress in Black Panther

Shayla Monroe

Chapter 14: Reflections on Black Panther and the Traditions of Third Cinema

Cynthia Baron

Chapter 15: The Depiction of Homeschooling, Black Identity, and Political Thought in the Film Black Panther

Khadijah Z. Ali-Coleman

Chapter 16: Two Paths to the Future: Radical Cosmopolitanism and Counter-Colonial Dignity in Black Panther

Neal Curtis

Chapter 17: My Blood Right: A Critical Analysis of Black Panther’s Killmonger, Colonialism, and Hybrid Identity

Gabriel A. Cruz

Chapter 18: The Others Worlds of Black Panther’s Purple Heart-Shaped Herb

Paul Karolczyk

About the Contibutors

Afrofuturism in Black Panther: Gender, Identity,

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    A Hardback by Renée T. White, Karen A. Ritzenhoff, Khadijah Z. Ali-Coleman

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      View other formats and editions of Afrofuturism in Black Panther: Gender, Identity, by Renée T. White

      Publisher: Lexington Books
      Publication Date: Publication Date: 30/08/2021
      ISBN13: 9781793623577, 978-1793623577
      ISBN10: 1793623570

      Description

      Book Synopsis

      Afrofuturism in Black Panther: Gender, Identity, and the Re-making of Blackness, through an interdisciplinary and intersectional analysis of Black Panther, discusses the importance of superheroes and the ways in which they are especially important to Black fans. Aside from its global box office success, Black Panther paves the way for future superhero narratives due to its underlying philosophy to base the story on a narrative that is reliant on Afro-futurism. The film’s storyline, the book posits, leads viewers to think about relevant real-world social questions as it taps into the cultural zeitgeist in an indelible way. Contributors to this collection approach Black Panther not only as a film, but also as Afrofuturist imaginings of an African nation untouched by colonialism and antiblack racism: the film is a map to alternate states of being, an introduction to the African Diaspora, a treatise on liberation and racial justice, and an examination of identity. As they analyze each of these components, contributors pose the question: how can a film invite a reimagining of Blackness?



      Trade Review

      This remarkable collection examines the complexities, power and significance of Afrofuturism in Black Panther from a wide range of highly pertinent perspectives, revealing the film's importance as both a piece of cinema and as a pointed intervention into cultural, social and political histories of representation. The editors have brought together a rich collection of rigorous and illuminating contributions, making this the key reference work on this ground-breaking film.

      -- Lisa Purse, University of Reading

      A rich and enticing book that offers multiple perspectives on a genuine cultural phenomenon. A must read for anyone interested in Black Panther and the politics of contemporary US popular culture.

      -- Hervé Mayer, Paul Valéry University Montpellier 3

      Featuring reflections by filmmakers, artists, fans, and scholars across disciplines and around the world, this book is more than just a resource for a critical reading of Black Panther; it is a veritable tome of the different threads present within this ever-evolving film. Superhero and fantasy films have an important role in producing and commenting on culture: they take us out of reality while helping us critically dissect the patterns of reality. This phenomenon is complicated but necessary, and each chapter methodically guides the reader through a different facet of media, identity, history, and reception, encouraging them to return to the film to watch it again with new knowledge and a new perspective.

      -- Charisse L'Pree Corsbie-Massay, Syracuse University

      Evidence that Black Panther hit a raw nerve rests in this serious treatment of the copious topics instigated by this afrofuturistic superhero film. Praise for this collection of essays for the far-reaching implications the authors suggest for the study of Black Panther as an interrogation of the multibillion dollar industry that produced it and the state of the human condition for which the film serves as window and mirror. Afrofuturism in Black Panther: Gender, Identity, and the Re-making of Blackness explores why Black Panther is not merely an important film that you have to see just because it seemingly replaces the Hollywood white superhero with a black superhero, but why it’s a film we want to see as it centers black governance, black feminism and black culture within the convergence of global politics and technology in the context of real histories of enslavement, colonization, apartheid, racism and discrimination. The essays invoke the persistence of vision of black filmmakers, writers, actors, designers, scholars and spectators who expertly employ the master’s tools to re-imagine. An essential text for the study of Black Panther.

      -- Roxana Walker-Canton, University of Florida

      Renée T. White’s & Karen A. Ritzenhoff’s book is a tour-de-force about the highly popular Marvel comic and its film adaptation. The impressive assemblage of contributors boldly theorizes concepts of Black identity, queer erasure, counter-colonialism dignity, Afrofuturism, and Black utopian visions that are celebratory and critical. This work is a page-turning essential read for academics, popular culture, and science fiction enthusiasts who seek to have their assumptions and principles about Black Panther challenged while exploring new historical, symbolic, and pedagogical frameworks on various dimensions of Blackness.

      -- Alexia Hudson-Ward, Associate Director of Research and Learning, MIT Libraries

      Table of Contents

      Preface

      Zeinabu irene Davis

      Chapter 1: I Dream a World: Black Panther and the Re-Making of Blackness

      Renée T. White

      Chapter 2: The Power in Numbers: Ensemble Stunt Performance in Black Panther and Histories of Practice

      Lauren Steiner

      Chapter 3: From Expressivity to Equanimity: New Black Action in Black Panther

      Wayne Wong

      Chapter 4: Paid the Cost to be the Boss: Chadwick Boseman, Black Panther, and the Future of the Black Biopic

      Mikal J. Gaines

      Chapter 5: Let Ayo Have a Girlfriend: Resisting Black Lesbian Erasure on Twitter

      Sarah E. S. Sinwell

      Chapter 6: “Tell Me a Story Baba”: Black Panther and Wakanda’s Foreign Policy in the Age of Neo-liberalism

      Clarence Lusane

      Chapter 7: The Underground Railroads as Afrofuturism: Enslaved Blacks that Imagined Freedom, Future, and Space

      dann j. Broyld

      Chapter 8: The Evolution of Dora Milaje: Wakanda’s Greatest Warriors in Comics and Film

      Josh Truelove

      Chapter 9: “The Prince Will Now Have the Strength of the Black Panther Stripped Away”: Reading Disability and Queerness in Killmonger

      Dominique Young

      Chapter 10: Only When She Wants To: Code-Switching in Black Panther

      Paul Moffet

      Chapter 11: The Dore Milaje in Real Life: A Continuing Legacy of African Warriors

      Myron T. Strong, K. Sean Chaplin, and Giselle Greenidge

      Chapter 12: Echoes of the History of Black Utopian Visions, “Black Manhod,” and Black Feminism in the Making of Black Panther

      Dolita Cathcart

      Chapter 13: Tradition, Purpose, and Technology: An Archaeological Take on the Role of Technological Progress in Black Panther

      Shayla Monroe

      Chapter 14: Reflections on Black Panther and the Traditions of Third Cinema

      Cynthia Baron

      Chapter 15: The Depiction of Homeschooling, Black Identity, and Political Thought in the Film Black Panther

      Khadijah Z. Ali-Coleman

      Chapter 16: Two Paths to the Future: Radical Cosmopolitanism and Counter-Colonial Dignity in Black Panther

      Neal Curtis

      Chapter 17: My Blood Right: A Critical Analysis of Black Panther’s Killmonger, Colonialism, and Hybrid Identity

      Gabriel A. Cruz

      Chapter 18: The Others Worlds of Black Panther’s Purple Heart-Shaped Herb

      Paul Karolczyk

      About the Contibutors

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