Description
Book SynopsisThe collection proposes inventive research strategies for the study of the affective and fluctuating dimensions of cultural life. It presents studies of nightclubs, YouTube memes, political provocations, heritage sites, blogging, education development, and haunting memories.
Trade Review"Affective Methodologies redefines the way we can work with affect in our research assemblages. In a considered and timely application of affect theory to qualitative research practices, Knudsen and Stage have brought together a diverse collection of scholars. From defining figures in the field such as Blackman and Gibbs, to new voices including To and Kølvraa, this book provides a much needed consolidation of the existing trajectories of scholarship on and of affect while opening new ways forward for qualitative research." - Anna Hickey-Moody, Goldsmiths, University of London, UK
Table of Contents1. Introduction: Affective methodologies; Britta Timm Knudsen and Carsten Stage
Part I: Inventive experiments
2. Researching Affect and Embodied Hauntologies: Exploring an Analytics of Experimentation; Lisa Blackman
3. Experimenting with affects and senses – A performative pop-up-laboratory (self) critically revisited; Dorthe Staunæs and Jette Kofoed
4. Diasporic montage and critical autoethnography: Mediated visions of intergenerational memory and the affective transmission of trauma; Nathan To
Part II: Embodied fieldwork
5. Methods in Motion: Affecting Heritage Research; Emma Waterton and Steve Watson
6. Exploring a ' 'remembering crisis ' ': ' 'Affective attuning ' ' and ' 'assemblaged archive ' ' as theoretical frameworks and research methodologies; Elena Trivelli
7. The scent of a rose: imitating imitators as they learn to love the Prophet; Mikkel Rytter
8. The field note assemblage: Researching the bodily-affective dimensions of drinking and dancing ethnographically; Frederik Bøhling
Part III: Textualities
9. Affect, Provocation and Far Right Rhetoric; Christoffer Kølvraa
10. From Artwork to Net-work: Affective Effects of Political Art; Camilla M. Reestorff
11. Writing as Method: Attunement, Resonance and Rhythm; Anna Gibbs
12. Epilogue; Celia Lury
