Description

Book Synopsis
At least since his spectacular exhibition in the Romanian Pavilion at the 56th Venice Biennale in 2015, Adrian Ghenie (*1977 in Baia Mare, Romania) has been known to the broad public as one of the most interesting and unconventional painters of his generation. His works—painted in oils that have been scratched, applied with a palette knife, orthrown onto the canvas—have already gained entry into the collections of the Metropolitan Museum of Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and have achieved one auction record after another in the art market. Yet neither Ghenie’s subjects nor his technique cater to the taste of the public: the history of the “century of humiliation”—which is how Ghenie refers tothe twentieth century—its perpetrators and victims are the most important sources for his collage-like compositions. These subjects are joined by his positive heroes alike, such as Van Gogh and Darwin, and time after time, his self portrait.

Adrian Ghenie: Paintings 2014 to 2018

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    A Hardback by Juerg Judin

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      Book details

      Publisher Hatje Cantz
      Published 9 April 2020
      ISBN-13 9783775743525
      978-3775743525
      ISBN-10 3775743529
      Also in:
      Art & Photography Individual artists, art monographs Paintings and painting

      Description

      Book Synopsis
      At least since his spectacular exhibition in the Romanian Pavilion at the 56th Venice Biennale in 2015, Adrian Ghenie (*1977 in Baia Mare, Romania) has been known to the broad public as one of the most interesting and unconventional painters of his generation. His works—painted in oils that have been scratched, applied with a palette knife, orthrown onto the canvas—have already gained entry into the collections of the Metropolitan Museum of Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and have achieved one auction record after another in the art market. Yet neither Ghenie’s subjects nor his technique cater to the taste of the public: the history of the “century of humiliation”—which is how Ghenie refers tothe twentieth century—its perpetrators and victims are the most important sources for his collage-like compositions. These subjects are joined by his positive heroes alike, such as Van Gogh and Darwin, and time after time, his self portrait.

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