Description

Book Synopsis

Written by industry expert, R.J. Kizer, this is the first book to provide a comprehensive overview of post-sync dialogue replacement, popularly known as ADR.

It explores how this seldom recognised, but essential, technology is used in motion pictures and in fictional narrative television programs, with many examples from past and recent movies to explain approaches and techniques. It is intended primarily as an intuitive book, allowing readers to develop their own interpretation of ADR application, with both historical and procedural background provided throughout. It identifies the many different procedures and mechanical systems invented and used to accomplish the task of ADR, some from as long ago as the early 1920s. The text also details the many different steps, tasks, and routines that must be followed to identify (spot), program, record, edit, and mix the ADR lines into the final sound track of a show.

Intended for the sound professional, it is also suitable for students and entry-level editors wishing to master audio dialogue replacement. Film historians and theorists will also find it both informative and enlightening by illustrating the many avenues used to affect and manipulate the recorded spoken word in motion pictures.

ADR and PostSync Dialogue

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    £33.99

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    Order before 4pm tomorrow for delivery by Tue 9 Jun 2026.

    A Paperback by R.J. Kizer

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      View other formats and editions of ADR and PostSync Dialogue by R.J. Kizer

      Publisher: Taylor & Francis Ltd
      Publication Date: 4/8/2024
      ISBN13: 9781032414072, 978-1032414072
      ISBN10: 1032414073

      Description

      Book Synopsis

      Written by industry expert, R.J. Kizer, this is the first book to provide a comprehensive overview of post-sync dialogue replacement, popularly known as ADR.

      It explores how this seldom recognised, but essential, technology is used in motion pictures and in fictional narrative television programs, with many examples from past and recent movies to explain approaches and techniques. It is intended primarily as an intuitive book, allowing readers to develop their own interpretation of ADR application, with both historical and procedural background provided throughout. It identifies the many different procedures and mechanical systems invented and used to accomplish the task of ADR, some from as long ago as the early 1920s. The text also details the many different steps, tasks, and routines that must be followed to identify (spot), program, record, edit, and mix the ADR lines into the final sound track of a show.

      Intended for the sound professional, it is also suitable for students and entry-level editors wishing to master audio dialogue replacement. Film historians and theorists will also find it both informative and enlightening by illustrating the many avenues used to affect and manipulate the recorded spoken word in motion pictures.

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