Description

Book Synopsis
Provides a view of the late Stifter as a forerunner of twentieth-century modernism. Adalbert Stifter has always been viewed as a natural heir to the Great Classical tradition, even by those critics who detect disturbing subtexts in his fiction. But he should be viewed quite differently: however well disguised, heis in truth a closet modernist, and a major trailblazer for Kafka and the Absurd. This is most evident in his late fiction, which has been almost universally ignored, dismissed or disparaged by his critics. His last novel Witiko in particular has been conspicuously neglected by both nineteenth- and twentieth-century critics. Ragg-Kirkby demonstrates -- largely by way of close reading -- that this is Stifter's extreme masterpiece. Beneath the surface of Biedermeier stuffiness is a vision of fracture, emptiness, meaninglessness, and mania not only more radical than that of any other 19th-century author, but arguably more radical than that of any 20th-century author, precisely because there is such a disjuncture between text and sub-text. In his final novel, Stifter simply leaves the future behind. Helena Ragg-Kirkby is a lecturer in German at the University of Sheffield.

Trade Review
...offers a clear, accessible, well-written and well-illustrated restatement of the duplicity of Stifter's writing.... Thoroughly to be recommended... * JOURNAL OF EUROPEAN STUDIES *
Ragg-Kirkby argues with cogency and passion that this novel [Witiko], along with some other late works [...], far from being pathological deformations and unreadable, are in fact the apotheosis of Stifter's art. * JOURNAL OF EUROPEAN STUDIES *
There is much that is suggestive and much to admire in this intelligent study of Stifter's late work. * MONATSHEFTE *
This study constitutes a fascinating, insightful, and exciting augmentation of current Stifter scholarship. * GERMAN STUDIES REVIEW *
Ragg-Kirkby's study deserves the attention of both new and traditional critics of Stifter. * GERMAN QUARTERLY *
The book is strongly argued without being dogmatic, and its clear and fluent style ... ensures that it is highly readable. * YEAR'S WORK IN MODERN LANGUAGE STUDIES *
The observations about minimalism, rhythmic monotony, and elements of the fairy tale are insightful and significant. * GERMANISTIK *

Table of Contents
Introduction Rituals and Sublimations Masking and the Void Ritual in Style A Stylistic Dystopia Witiko and the Blighted Paradise Witiko and the Ineffable Conclusion

Adalbert Stifter's Late Prose: The Mania for

    Product form

    £71.25

    Includes FREE delivery

    RRP £75.00 – you save £3.75 (5%)

    Order before 4pm today for delivery by Sat 20 Jun 2026.

    A Hardback by Helena Ragg-Kirby

    Out of stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Adalbert Stifter's Late Prose: The Mania for by Helena Ragg-Kirby

      Publisher: Boydell & Brewer Ltd
      Publication Date: 20/07/2000
      ISBN13: 9781571130433, 978-1571130433
      ISBN10: 1571130438

      Description

      Book Synopsis
      Provides a view of the late Stifter as a forerunner of twentieth-century modernism. Adalbert Stifter has always been viewed as a natural heir to the Great Classical tradition, even by those critics who detect disturbing subtexts in his fiction. But he should be viewed quite differently: however well disguised, heis in truth a closet modernist, and a major trailblazer for Kafka and the Absurd. This is most evident in his late fiction, which has been almost universally ignored, dismissed or disparaged by his critics. His last novel Witiko in particular has been conspicuously neglected by both nineteenth- and twentieth-century critics. Ragg-Kirkby demonstrates -- largely by way of close reading -- that this is Stifter's extreme masterpiece. Beneath the surface of Biedermeier stuffiness is a vision of fracture, emptiness, meaninglessness, and mania not only more radical than that of any other 19th-century author, but arguably more radical than that of any 20th-century author, precisely because there is such a disjuncture between text and sub-text. In his final novel, Stifter simply leaves the future behind. Helena Ragg-Kirkby is a lecturer in German at the University of Sheffield.

      Trade Review
      ...offers a clear, accessible, well-written and well-illustrated restatement of the duplicity of Stifter's writing.... Thoroughly to be recommended... * JOURNAL OF EUROPEAN STUDIES *
      Ragg-Kirkby argues with cogency and passion that this novel [Witiko], along with some other late works [...], far from being pathological deformations and unreadable, are in fact the apotheosis of Stifter's art. * JOURNAL OF EUROPEAN STUDIES *
      There is much that is suggestive and much to admire in this intelligent study of Stifter's late work. * MONATSHEFTE *
      This study constitutes a fascinating, insightful, and exciting augmentation of current Stifter scholarship. * GERMAN STUDIES REVIEW *
      Ragg-Kirkby's study deserves the attention of both new and traditional critics of Stifter. * GERMAN QUARTERLY *
      The book is strongly argued without being dogmatic, and its clear and fluent style ... ensures that it is highly readable. * YEAR'S WORK IN MODERN LANGUAGE STUDIES *
      The observations about minimalism, rhythmic monotony, and elements of the fairy tale are insightful and significant. * GERMANISTIK *

      Table of Contents
      Introduction Rituals and Sublimations Masking and the Void Ritual in Style A Stylistic Dystopia Witiko and the Blighted Paradise Witiko and the Ineffable Conclusion

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account