Description
Book SynopsisRobert Cohen's book, Acting Power, follows the tradition of his other book, Acting One, and has been the veritable bible for acting teachers for the last quarter century.' David Krasner, Emerson College
This book, above all else, is an attempt to explore the qualities of acting power.... to suggest to you, the actor, an approach toward not merely good acting but powerful acting. Great actors display the power to frighten and the power to seduce and can shift between the one and the other like a violinist can her notes.' From the Preface
The first edition of Acting Power was a groundbreaking work of acting theory which applied sociological and psychological principles to actor training. The book went on to influence a generation of theatre and performance studies students and academics, and was translated into five languages.
This carefully revised 21st Century Edition (re)considers, i
Trade Review
' [It is] easy to recognise why the first edition of Acting Power became a seminal text for practitioners in this field. The new edition is written in a lucid, observant and often amusing prose and provides practical exercises to allow the reader to grasp the logic of the theories and to experiment...Cohen's revised edition of Acting Power with its focus on process and craft retains its currency for the 21st century practitioner.' -Jayne Richards, Stanislavski Studies
'Informative, instructive, and prescriptive, the volume addresses creating and sustaining a powerful and authentic acting presence...Cohen's book is marked by his personalized style and his ability to illuminate elusive aspects of acting as both craft and art. Including quotes by professional directors and actors, this masterful book remains relevant and offers a distinctive voice for performance studies and a new generation of actors. Summing Up: Recommended.' - J. Artman, Chapman University, CHOICE
'Acting Power is...a refreshing read... I have certainly benefited from rereading him [Cohen], once again realising how detrimental being too attached to any one method, system or technique can be when appraising the art of acting.' - Rufus Swart, Stellenbosch University, South African Theatre Journal
Table of ContentsChapter 1 Introduction the Actor’s Viewpoint; Chapter 2 Out of the Self; Chapter 3 Into the Other; Chapter 4 Playing Character; Chapter 5 Playing Style; Chapter 6 Playing the Performance; Chapter 7 Acting Power: a Synthesis;
