Description

Book Synopsis

WINNER OF THE NOBEL PRIZE IN LITERATURE

A dreamlike collection from the Nobel Prize-winning poet


A Village Life, Louise Glück''s eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place:

All the roads in the village unite at the fountain.

Avenue of Liberty, Avenue of the Acacia Trees

The fountain rises at the center of the plaza;

on sunny days, rainbows in the piss of the cherub.

from tributaries

Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain''s opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed.

Glück has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as the type of describing, supervising intelligence found in novels rather than poetry, as Langdon Hammer has written of her long linesexpansive, fluent, and fullmanifesting a calm omniscience. While Glück''s manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.

A Village Life

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    A Paperback / softback by Louise Glück

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      Publisher: Farrar, Straus and Giroux
      Publication Date: Publication Date: 14/09/2010
      ISBN13: 9780374532437, 978-0374532437
      ISBN10: 0374532435

      Description

      Book Synopsis

      WINNER OF THE NOBEL PRIZE IN LITERATURE

      A dreamlike collection from the Nobel Prize-winning poet


      A Village Life, Louise Glück''s eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place:

      All the roads in the village unite at the fountain.

      Avenue of Liberty, Avenue of the Acacia Trees

      The fountain rises at the center of the plaza;

      on sunny days, rainbows in the piss of the cherub.

      from tributaries

      Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain''s opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed.

      Glück has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as the type of describing, supervising intelligence found in novels rather than poetry, as Langdon Hammer has written of her long linesexpansive, fluent, and fullmanifesting a calm omniscience. While Glück''s manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.

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