Description

Book Synopsis
In A Theater of Diplomacy, Ellen R. Welch argues that theater served not merely as a decorative accompaniment to negotiations, but rather underpinned the practices of embodied representation, performance, and spectatorship that constituted the culture of diplomacy in this period.

Trade Review
"This book offers a series of important and fascinating studies about the interaction between the performing arts and diplomacy. Diplomats are often described as actors on a stage; more concretely their presence was important in court festivities; such forms of entertainment could accompany diplomatic practices. Ellen Welch chooses precise examples, especially ballets, from the end of the sixteenth century up to Louis XIV's reign to feed a remarkable reflection about the art (and arts) of peace." * Renaissance Quarterly *
"Deftly situated at the crossroads of cultural, political, and aesthetic history, A Theater of Diplomacy bridges the thriving fields of performance studies and the history and theory of international relations. No single book in this arena of early modern Europe has undertaken the kind of ambitiously comprehensive synthesis, stretching across two centuries, that Welch has created here." * Larry F. Norman, author of The Shock of the Ancient: Literature and History in Early Modern France *
"Ellen Welch brings to life a world that has become almost completely foreign, while taking care to note the influence of early modern diplomacy on the spectacular statecraft of our own time. A Theater of Diplomacy is a quiet invitation to consider the importance of art and spectacle for the expression of difference and the constitution of community." * Ellen McClure, University of Illinois at Chicago *

Table of Contents

Introduction
Chapter 1. Orchestrating Dissonant Concord in the Bayonne Entertainments (1565)
Chapter 2. The Ambassador's Point of View, from London to Paris (1608-9)
Chapter 3. National Actors on the Ballet Stage (1620s-30s)
Chapter 4. Richelieu's Allegories of War (1639-42)
Chapter 5. Ballet Diplomacy at the Congress of Westphalia (1645-49)
Chapter 6. Entertaining Personalities at Louis XIV's Court (1653-69)
Chapter 7. Exotic Audiences (1668-1715)
Chapter 8. Diplomacy on the Public Stage (1697-1714)
Conclusion
Notes
Bibliography
Index
Acknowledgments

A Theater of Diplomacy

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    A Hardback by Ellen R. Welch

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      View other formats and editions of A Theater of Diplomacy by Ellen R. Welch

      Publisher: University of Pennsylvania Press
      Publication Date: Publication Date: 03/04/2017
      ISBN13: 9780812249002, 978-0812249002
      ISBN10: 0812249003

      Description

      Book Synopsis
      In A Theater of Diplomacy, Ellen R. Welch argues that theater served not merely as a decorative accompaniment to negotiations, but rather underpinned the practices of embodied representation, performance, and spectatorship that constituted the culture of diplomacy in this period.

      Trade Review
      "This book offers a series of important and fascinating studies about the interaction between the performing arts and diplomacy. Diplomats are often described as actors on a stage; more concretely their presence was important in court festivities; such forms of entertainment could accompany diplomatic practices. Ellen Welch chooses precise examples, especially ballets, from the end of the sixteenth century up to Louis XIV's reign to feed a remarkable reflection about the art (and arts) of peace." * Renaissance Quarterly *
      "Deftly situated at the crossroads of cultural, political, and aesthetic history, A Theater of Diplomacy bridges the thriving fields of performance studies and the history and theory of international relations. No single book in this arena of early modern Europe has undertaken the kind of ambitiously comprehensive synthesis, stretching across two centuries, that Welch has created here." * Larry F. Norman, author of The Shock of the Ancient: Literature and History in Early Modern France *
      "Ellen Welch brings to life a world that has become almost completely foreign, while taking care to note the influence of early modern diplomacy on the spectacular statecraft of our own time. A Theater of Diplomacy is a quiet invitation to consider the importance of art and spectacle for the expression of difference and the constitution of community." * Ellen McClure, University of Illinois at Chicago *

      Table of Contents

      Introduction
      Chapter 1. Orchestrating Dissonant Concord in the Bayonne Entertainments (1565)
      Chapter 2. The Ambassador's Point of View, from London to Paris (1608-9)
      Chapter 3. National Actors on the Ballet Stage (1620s-30s)
      Chapter 4. Richelieu's Allegories of War (1639-42)
      Chapter 5. Ballet Diplomacy at the Congress of Westphalia (1645-49)
      Chapter 6. Entertaining Personalities at Louis XIV's Court (1653-69)
      Chapter 7. Exotic Audiences (1668-1715)
      Chapter 8. Diplomacy on the Public Stage (1697-1714)
      Conclusion
      Notes
      Bibliography
      Index
      Acknowledgments

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