Description

Book Synopsis
A vivid and moving celebration of the ways that Black Americans have shaped and been shaped by photography, from its inception to the present day. A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as

Table of Contents
Contents

Foreword
Deborah Willis

Preface
Herman J. Milligan, Jr.

Preface
Howard Oransky

Mining the Archive of Black Life and Culture
Cheryl Finley

A Visual Politics of Black Pleasure
crystal am nelson

Why We Wear a Suit to Do the Work
Seph Rodney

Plates

Notes to Plates
Contributor Biographies
Index

A Picture Gallery of the Soul

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    Order before 4pm today for delivery by Mon 29 Jun 2026.

    A Hardback by Howard Oransky, Herman J. Milligan, Jr., Cheryl Finley

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      Publisher: University of California Press
      Publication Date: 13/09/2022
      ISBN13: 9780520388062, 978-0520388062
      ISBN10: 0520388062

      Description

      Book Synopsis
      A vivid and moving celebration of the ways that Black Americans have shaped and been shaped by photography, from its inception to the present day. A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as

      Table of Contents
      Contents

      Foreword
      Deborah Willis

      Preface
      Herman J. Milligan, Jr.

      Preface
      Howard Oransky

      Mining the Archive of Black Life and Culture
      Cheryl Finley

      A Visual Politics of Black Pleasure
      crystal am nelson

      Why We Wear a Suit to Do the Work
      Seph Rodney

      Plates

      Notes to Plates
      Contributor Biographies
      Index

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