Description

Book Synopsis
A comprehensive manual of performance practice for 17th century music

Trade Review

[A] welcome update to a highly valuable resource for the study of performance practice, and should be a staple for any collection supporting a curriculum of music history and/or historically informed approaches to performing music of the seventeenth century.

* Music Reference Services Quarterly *

A Performer's Guide to Seventeenth-Century Music is an invaluable resource for both students and professional musicians: it brings musicians up to date on musical research for the period; it helps performers to see the seventeenth-century as (almost) a separate era within the Baroque.

* Mu Phi Epsilon *

There's a vast amount of information here, and considerable wisdom. Those exploring 17th-century music should buy a copy.

* Early Music Review *

Full of interest, this performer's guide sometimes seems aimed at the listener and musical historian as much as the performer.

* Classical Music *

Table of Contents

List of Illustrations
Octave Designation Chart
Preface to the Second Edition \ Jeffery Kite-Powell
Preface to the First Edition \ Stewart Carter
Acknowledgments

Part 1. Vocal/Choral Issues
1. National Singing Styles \ Sally Sanford
2. The Bel Canto Singing Style \ Julianne Baird
3. Choral Music in France and England \ Anne Harrington Heider
4. Choral Music in Italy and the Germanic Lands \ Gary Towne
Part 2. Wind, String, and Percussion Instruments
5. Woodwinds \ Herbert Myers
6. Cornett and Sackbut \ Bruce Dickey
7. Trombone \ Stewart Carter
8. Trumpet and Horn \ Steven E. Plank
9. Percussion and Timpani \ John Michael Cooper
10. The Violin: Technique and Style \ David Douglass
11. Historical Approaches to Playing the Violin \ Julie Andrijeski
12. The Viola da Gamba Family \ Stuart Cheney with Barbara Coeyman
13. Violoncello and Violone \ Marc Vanscheeuwijck
14. Keyboard Instruments \ Mark Kroll
15. Plucked String Instruments \ Paul O'Dette
Part 3. Performance Practice and Practical Considerations
16. Ornamentation in Early Seventeenth-Century Italian Music \ Bruce Dickey
17. Basso Continuo \ Jack Ashworth and Paul O'Dette
18. Meter and Tempo \ George Houle
19. Tuning and Temperament \ Herbert Myers
20. Pitch and Transposition \ Herbert Myers
Part 4. The Seventeenth-Century Stage
21. Dance \ Dorothy Olsson
22. Theatrical Productions \ James Middleton

Appendix A. List of Names and Dates
Appendix B. A Performer's Guide to Medieval Music: Contents
Appendix C. A Performer's Guide to Renaissance Music: Contents
Bibliography
List of Contributors
Index

A Performers Guide to SeventeenthCentury Music

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A Hardback by Jeffery Kite-Powell, Sally Sanford, Stewart Carter

1 in stock


    View other formats and editions of A Performers Guide to SeventeenthCentury Music by Jeffery Kite-Powell

    Publisher: Indiana University Press
    Publication Date: 21/03/2012
    ISBN13: 9780253357069, 978-0253357069
    ISBN10: 0253357063

    Description

    Book Synopsis
    A comprehensive manual of performance practice for 17th century music

    Trade Review

    [A] welcome update to a highly valuable resource for the study of performance practice, and should be a staple for any collection supporting a curriculum of music history and/or historically informed approaches to performing music of the seventeenth century.

    * Music Reference Services Quarterly *

    A Performer's Guide to Seventeenth-Century Music is an invaluable resource for both students and professional musicians: it brings musicians up to date on musical research for the period; it helps performers to see the seventeenth-century as (almost) a separate era within the Baroque.

    * Mu Phi Epsilon *

    There's a vast amount of information here, and considerable wisdom. Those exploring 17th-century music should buy a copy.

    * Early Music Review *

    Full of interest, this performer's guide sometimes seems aimed at the listener and musical historian as much as the performer.

    * Classical Music *

    Table of Contents

    List of Illustrations
    Octave Designation Chart
    Preface to the Second Edition \ Jeffery Kite-Powell
    Preface to the First Edition \ Stewart Carter
    Acknowledgments

    Part 1. Vocal/Choral Issues
    1. National Singing Styles \ Sally Sanford
    2. The Bel Canto Singing Style \ Julianne Baird
    3. Choral Music in France and England \ Anne Harrington Heider
    4. Choral Music in Italy and the Germanic Lands \ Gary Towne
    Part 2. Wind, String, and Percussion Instruments
    5. Woodwinds \ Herbert Myers
    6. Cornett and Sackbut \ Bruce Dickey
    7. Trombone \ Stewart Carter
    8. Trumpet and Horn \ Steven E. Plank
    9. Percussion and Timpani \ John Michael Cooper
    10. The Violin: Technique and Style \ David Douglass
    11. Historical Approaches to Playing the Violin \ Julie Andrijeski
    12. The Viola da Gamba Family \ Stuart Cheney with Barbara Coeyman
    13. Violoncello and Violone \ Marc Vanscheeuwijck
    14. Keyboard Instruments \ Mark Kroll
    15. Plucked String Instruments \ Paul O'Dette
    Part 3. Performance Practice and Practical Considerations
    16. Ornamentation in Early Seventeenth-Century Italian Music \ Bruce Dickey
    17. Basso Continuo \ Jack Ashworth and Paul O'Dette
    18. Meter and Tempo \ George Houle
    19. Tuning and Temperament \ Herbert Myers
    20. Pitch and Transposition \ Herbert Myers
    Part 4. The Seventeenth-Century Stage
    21. Dance \ Dorothy Olsson
    22. Theatrical Productions \ James Middleton

    Appendix A. List of Names and Dates
    Appendix B. A Performer's Guide to Medieval Music: Contents
    Appendix C. A Performer's Guide to Renaissance Music: Contents
    Bibliography
    List of Contributors
    Index

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