Description
Book SynopsisFacing an economic crisis in the 1980s, the Hollywood moved to control the ancillary markets of videotape, video disk and pay-cable. The studios found themselves targeted for acquisition by global media and communications companies. This book examines the transformation that took Hollywood from the production of theatrical film to media software.
Trade Review"Prince's book pushes us to reconceptualize the interactions of economics and ideology.... It evokes and invokes the richness of filmmaking practices-both mainstream and alternative-even as it gives a harsh and perhaps tragic image of a cultural form, the cinema, losing its specificity and even identity in the vast synergistic networks of control at the end of the twentieth century."-Dana Polan, Film Quarterly; "Stephen Prince's A New Pot of Gold is good at sustaining a coherent historical narrative and critical commentary on the 1980s-a period when video and film grew closer together, and when Hollywood came under the control of global capitalism."-James O. Naremore, author of Acting in the Cinema
Table of ContentsAcknowledgments
Introduction
Contents
1 The Industry at the Dawn of the Decade
2 Merger Mania
3 The Brave New Ancillary World
4 Independents, Packaging, and Inflationary:Pressure in 1980s Hollywood
Justin Wyatt
5 The Talent Oligopoly
6 The Filmmakers
7 Genres and Production Cycles
8 Movies and Morality
9 American Documentary in the 1980s
Carl Plantinga
10 Experimental Cinema in the 1980s
Scott MacDonald
Appendices:
APPENDIX 1 LIST OF TABLES AND CHARTS
APPENDIX 2 TOP BOX-OFFICE FILMS OF THE 1980s
APPENDIX :3 MAJOR ACADEMY AWARDS, 1980-1988
APPENDIX 4 THE NATIONAL FILM REGISTRY 45:3
Notes
Bibliography
Picture Sources
General Index
Index of Films
