Description

Book Synopsis

A New Perspective for the Use of Dialect in African American Spirituals: History, Context, and Linguistics investigates the use of the African American English (AAE) dialect in the musical genre of the spiritual. Perfect for conductors and performers alike, this book traces the history of the dialect, its use in early performance practice, and the sociolinguistic impact of the AAE dialect in the United States. Felicia Barber explores AAE’s development during the African Diaspora and its correlations with Southern States White English (SSWE) and examines the dialect’s perception and how its weaponization has impacted the performance of the genre itself. She provides a synopsis of research on the use of dialect in spirituals from the past century through the analysis of written scores, recordings, and research. She identifies common elements of early performance practice and provides the phonological and grammatical features identified in early practice. This book contains practical guide for application of her findings on ten popular spiritual texts using the International Phonetic Alphabet (IPA). It concludes with insights by leading arrangers on their use of AAE dialect as a part of the genre and practice.



Table of Contents

Contents

Preface: An Introduction in Purpose

Acknowledgments

Foreword by Dr. Andre Thomas

Definitions

List of Figures

List of Tables

Chapter 1Sociolinguistics: It is a Matter of Perception

Chapter 2Acquisition of Languages Established as a Result of the African Diaspora

Chapter 3Establishing Performance Practice Part I: Researchers

Chapter 4Establishing Performance Practice Part II: Dialect Employed in the Text

Chapter 5Establishing Performance Practice Part III: Aural History – Transcriptions of Early Sound Recordings

Chapter 6Trace History of Dialect in Four Specific Scores

Chapter 7Research Findings Regarding Use of AAE Dialect in Spirituals: A Practical Application

Chapter 8Moving Forward: Insight from Modern Arrangers and Next Steps

Bibliography

Appendices

About the Author

About the Contributors

A New Perspective for the Use of Dialect in

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A Hardback by Felicia Raphael Marie Barber, Andre J. Thomas

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    View other formats and editions of A New Perspective for the Use of Dialect in by Felicia Raphael Marie Barber

    Publisher: Lexington Books
    Publication Date: 06/10/2021
    ISBN13: 9781793635341, 978-1793635341
    ISBN10: 179363534X

    Description

    Book Synopsis

    A New Perspective for the Use of Dialect in African American Spirituals: History, Context, and Linguistics investigates the use of the African American English (AAE) dialect in the musical genre of the spiritual. Perfect for conductors and performers alike, this book traces the history of the dialect, its use in early performance practice, and the sociolinguistic impact of the AAE dialect in the United States. Felicia Barber explores AAE’s development during the African Diaspora and its correlations with Southern States White English (SSWE) and examines the dialect’s perception and how its weaponization has impacted the performance of the genre itself. She provides a synopsis of research on the use of dialect in spirituals from the past century through the analysis of written scores, recordings, and research. She identifies common elements of early performance practice and provides the phonological and grammatical features identified in early practice. This book contains practical guide for application of her findings on ten popular spiritual texts using the International Phonetic Alphabet (IPA). It concludes with insights by leading arrangers on their use of AAE dialect as a part of the genre and practice.



    Table of Contents

    Contents

    Preface: An Introduction in Purpose

    Acknowledgments

    Foreword by Dr. Andre Thomas

    Definitions

    List of Figures

    List of Tables

    Chapter 1Sociolinguistics: It is a Matter of Perception

    Chapter 2Acquisition of Languages Established as a Result of the African Diaspora

    Chapter 3Establishing Performance Practice Part I: Researchers

    Chapter 4Establishing Performance Practice Part II: Dialect Employed in the Text

    Chapter 5Establishing Performance Practice Part III: Aural History – Transcriptions of Early Sound Recordings

    Chapter 6Trace History of Dialect in Four Specific Scores

    Chapter 7Research Findings Regarding Use of AAE Dialect in Spirituals: A Practical Application

    Chapter 8Moving Forward: Insight from Modern Arrangers and Next Steps

    Bibliography

    Appendices

    About the Author

    About the Contributors

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