Description

Book Synopsis
Longlisted for the Michael Murphy Memorial Poetry Prize 2021. A Map Towards Fluency, Lisa Kelly's first collection, considers words, the power they impart, the power their absence withholds. Forgetting, mis-hearing, mis-remembering all challenge the imagination to find ways round and ways through. `The idea of fluency interests me - and whether we can ever claim fluency in any language.' Her mother speaking Danish - which she cannot herself understand - is familiar and yet alienating: how Danish can she herself be when she cannot hear her mother's tongue with understanding? Her own attempts with British Sign Language are another challenge, a form of translation of sense in the absence of sound. `I have to work hard to listen and this requires me to place you to my right side, to watch your lips, to watch your hands, to watch your gestures. How ca form not matter?' The poems touch on these themes in various ways, not least in what they do with form.

Trade Review
'Lisa Kelly's poems are every bit attentive as they are inventive. Whether on hearing and deafness, or amongst oysters and aphids, she writes with an instinctive and joyful aplomb, which is unafraid of stretching the possibilities of language itself.' - Jane Commane; 'Lisa Kelly searchingly translates for us the intimate connections between language and the body, between symbol and experience.' - Jane Draycott

A Map Towards Fluency

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    A Paperback / softback by Lisa Kelly

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      Publisher: Carcanet Press Ltd
      Publication Date: 27/06/2019
      ISBN13: 9781784108403, 978-1784108403
      ISBN10: 1784108405
      Also in:
      Poetry

      Description

      Book Synopsis
      Longlisted for the Michael Murphy Memorial Poetry Prize 2021. A Map Towards Fluency, Lisa Kelly's first collection, considers words, the power they impart, the power their absence withholds. Forgetting, mis-hearing, mis-remembering all challenge the imagination to find ways round and ways through. `The idea of fluency interests me - and whether we can ever claim fluency in any language.' Her mother speaking Danish - which she cannot herself understand - is familiar and yet alienating: how Danish can she herself be when she cannot hear her mother's tongue with understanding? Her own attempts with British Sign Language are another challenge, a form of translation of sense in the absence of sound. `I have to work hard to listen and this requires me to place you to my right side, to watch your lips, to watch your hands, to watch your gestures. How ca form not matter?' The poems touch on these themes in various ways, not least in what they do with form.

      Trade Review
      'Lisa Kelly's poems are every bit attentive as they are inventive. Whether on hearing and deafness, or amongst oysters and aphids, she writes with an instinctive and joyful aplomb, which is unafraid of stretching the possibilities of language itself.' - Jane Commane; 'Lisa Kelly searchingly translates for us the intimate connections between language and the body, between symbol and experience.' - Jane Draycott

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