Description
Book SynopsisPeter Doherty''s is the last of the great rock ''n'' roll stories - bad boy and public enemy. To his devoted fans, he is a cult hero, a modern-day Rimbaud. Musically, he has defined the past twenty years of indie rock with his sound, lyrics, lifestyle and aesthetic.
Since The Libertines rose to international fame, Doherty has proved endlessly fascinating. A whirlwind of controversy and scandal has tailed him ever since the early 2000s, so much so that all too often his talents as a songwriter and performer have been overlooked; for every award and accolade, there is a scathing review. Hard drugs, tiny gigs on the hoof, huge stadium shows, collaborations, obliterations, gangsters and groupies - Doherty has led a life of huge highs and incredible lows.
With his wildest days behind him, Doherty candidly explores - with sober and sometimes painful insight - some of his greatest and darkest moments, taking us inside the creative process, decadent parties, substance-fuelle
Trade Review
Doherty wasn't just at the heart of that era, he defined it, in ways both good and bad. Who better to capture the excitement but also the bleakness of that period than him? -- Hadley Freeman * Guardian *
Reveals unexpected details . . . Intimate, often salacious * Sunday Times *
Lucid, candid and, ultimately, hopeful * Observer *
Expertly pieced together . . . An extraordinary hymn to indie's own Rimbaud and degenerate noughties London * Mojo *
A defiant and humorous look at one of the most infamous rockers of the 21st century * Far Out Magazine *
[A]n easily digestible page-turner . . . plenty of new stories * i News *
Overloaded with compelling stories - many funny, some haunting * New Statesman *
