Description

Book Synopsis
Beginning with J.S. Bach''s harpsichord concertos composed in the beginning of the eighteenth century, John Harris embarks on a musical tour that takes the reader from Germany and Austria through Europe, North America, South America, and Asia, tracing the history of music composed for harpsichord or piano and orchestra. The organization of the book follows the spread of the Baroque harpsichord concerto across countries. Divided into four parts, J.S. Bach to Mozart (the baroque era), Mozart through Beethoven (the classic era), After Beethoven through Brahms (the romantic era), and After Brahms through the Present (the twentieth century), each part begins with an examination of the works composed in Germany, followed by Italy. European countries east of the north-south line through Germany and Italy appear next, followed by countries west of that line. The consistent organization in each part allows a quick comparison of the growing number of concerted works for harpsichord or piano in each era. When data is available, Harris lists the composers'' birth and death dates, as well as dates of the musical compositions. The work includes a discography, bibliography, 46 tables of additional composers listed by country, a list of pertinent abbreviations, and index of composers.

Trade Review
Harris often provides pithy sentences that encapsulate a good deal of significance in a few words. * Piano and Keyboard *
This valuable reference compiles in one comprehensive volume basic information from many diverse sources...the first historical work to cross this reviewer's desk in which the current, burgeoning scholarship devoted to the rediscovery of women composers has been incorporated without special comment, the volume is a model for future histories of music. * CHOICE *
...comprehensive discography. The book reveals legions of totally unknown composers who wrote concertos for either the harpsichord or the piano. * Oxford University Press *
This is an extremely comprehensive descriptive chronology of composers of piano or harpsichord music...an excellent volume that offers much to the reader. * American Reference Books Annual *

A History of Music for Harpsichord or Piano and

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    A Paperback by John M. Harris

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      View other formats and editions of A History of Music for Harpsichord or Piano and by John M. Harris

      Publisher: Scarecrow Press
      Publication Date: 1/1/1997 12:00:00 AM
      ISBN13: 9780810847033, 978-0810847033
      ISBN10: 0810847035

      Description

      Book Synopsis
      Beginning with J.S. Bach''s harpsichord concertos composed in the beginning of the eighteenth century, John Harris embarks on a musical tour that takes the reader from Germany and Austria through Europe, North America, South America, and Asia, tracing the history of music composed for harpsichord or piano and orchestra. The organization of the book follows the spread of the Baroque harpsichord concerto across countries. Divided into four parts, J.S. Bach to Mozart (the baroque era), Mozart through Beethoven (the classic era), After Beethoven through Brahms (the romantic era), and After Brahms through the Present (the twentieth century), each part begins with an examination of the works composed in Germany, followed by Italy. European countries east of the north-south line through Germany and Italy appear next, followed by countries west of that line. The consistent organization in each part allows a quick comparison of the growing number of concerted works for harpsichord or piano in each era. When data is available, Harris lists the composers'' birth and death dates, as well as dates of the musical compositions. The work includes a discography, bibliography, 46 tables of additional composers listed by country, a list of pertinent abbreviations, and index of composers.

      Trade Review
      Harris often provides pithy sentences that encapsulate a good deal of significance in a few words. * Piano and Keyboard *
      This valuable reference compiles in one comprehensive volume basic information from many diverse sources...the first historical work to cross this reviewer's desk in which the current, burgeoning scholarship devoted to the rediscovery of women composers has been incorporated without special comment, the volume is a model for future histories of music. * CHOICE *
      ...comprehensive discography. The book reveals legions of totally unknown composers who wrote concertos for either the harpsichord or the piano. * Oxford University Press *
      This is an extremely comprehensive descriptive chronology of composers of piano or harpsichord music...an excellent volume that offers much to the reader. * American Reference Books Annual *

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